A Quote by Jason Wu
That's the fun thing about fashion: it changes. One day, we're into short, the next we're into full length for day, or half short and long.
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I write about five thousand words a day, when working on a book, about three thousand a day if I'm writing a short story. I take long periods off between projects, when I read a lot, garden, and think about the next book or stories.
I love to change my hair... long one day, short the next.
Jesus was short on sermons, long on conversations; short on answers, long on questions; short on abstraction and propositions, long on stories and parables; short on telling you what to think, long on challenging you to think for yourself.
My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
I've always been a glass-half-full as opposed to a glass-half-empty, and the day that changes is the day I should leave.
Can you write 200 words a day? 100? 50? In six months, 50 words a day is 9,000 words. That's 2-3 short stories. If you did 200 words every day, in three months that's 36,000 words. That's half a short novel.
In youth the days are short and the years are long. In old age the years are short and day's long.
Everything is Flammable was the first full-length book I was able to finish. I started a couple others, but ran out of steam. This one had momentum, I never got bored or discouraged. It is made up of short pieces, which is where my comfort zone is. I'm more of a sprinter than a long-distance runner. When you do a short piece, you get in and get out; you don't linger.
The most important thing is to explain day by day that life is very short, and we need to spend the day thinking and enjoying life. We can't been thinking too much and worrying about what is happening tomorrow.
Works of art are not so much finished as abandoned. Perhaps poems can be perfect. A short-short story might even be perfectible, as effective and enjoyable for one reader as the next. But novels and other book-length narratives are great rambling things that always contain some flaws. For works of any length, there comes a point when your continued tinkering won't improve the whole, but will just trade one set of problems for another.
If owning stocks is a long-term project for you, following their changes constantly is a very, very bad idea. It's the worst possible thing you can do, because people are so sensitive to short-term losses. If you count your money every day, you'll be miserable.
You don't realize what a strain it is on the nerves to write or think-of-writing all day long, and to sleep full of nervous dreams, and to wake up not knowing who one is: this all stems from anxiety about finishing the book, about time 'growing short', etc., and the perpetual strain of invention.
In some ways, it's easier to go from short form to long form than vice versa. I used to make 30 second 'movies,' and I think if I only did long form I would find it difficult to adjust to that short a length. 'I gotta say something in 30 seconds. Forget about it!' There have been directors who have done commercials over the years, but they seem to be the exception.
Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
Who knows whats going to happen with whole Internet Web series thing. I mean, obviously people are spending a lot more time on their computer.The great thing about it is so many short films have been done over the time and there is not a real, there is not a venue for them because everybody goes to see a feature length film so it really is a great vehicle to do these kind of short creative pieces, so its kind of fun to be a part of that and kind of see what can happen from that. But trailblazer, I don't know. I mean, that's a pretty fancy word.
I didn't care for beat reporting, covering the same thing day after day - short attention span.
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