A Quote by Jasper Carrott
My heart was always in my mouth when I started on a new routine.
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A line runs from the meditations of the heart to the words of the mouth. The meditations are not clear to us until the mouth utters its words. If what the mouth utters is unclear or foolish or mendacious, it must be that the meditations are the same. But the line runs both ways. The words of the mouth will become the meditations of the heart, and the habit of loose talk loosens the fastenings of our understanding.
It wasn't until I had been writing on and off for maybe ten years that I started to establish any kind of routine, thought I couldn't put a finger on an exact date, and this routine relates simply to the aphorism 'How do you eat an elephant? One bite at a time.'
The normal routine is always the same thing whether it's on a new movie or a new job - there's always a process of getting to know one another. I think part of what makes movies special is that it is a relatively intimate environment and it's pretty short-lived - you get to know one another very quickly.
The heart of a fool is in his mouth, but the mouth of a wise man is in his heart.
When I stopped wanting my New Year's Eve to be perfect, to bring in the New Year right, is when it started working out right. When I was young, I was always looking for the best party to be at, to ring in the New Year, and I always ended up in the car going, "Happy New Year."
I used to do stand-up, actually. I had a ten-minute routine I did for a thing called 'Stand Up for Labour' where we'd go around different seats and use comedy to raise money. I stopped doing this routine when I started running for mayor.
Where the mouth is sweet and the eyes intelligent, there is always the look of beauty, with a right heart.
A man practices the art of adventure when he heroically faces up to life. When he has the daring to open doors to new experiences. When he is unafraid of new ideas, new theories and new philosophies. When he has the curiosity to experiment. When he breaks the chain of routine.
I remember when I first started playing tennis, it was always my sister dressing me. She wanted me to look good. And then it really became a routine for me. It doesn't consume too much of my day, but it's something I always pay conscious attention to.
Jumping into something new is always challenging with the schedule and the routine and when you can train, and fit that into your life that you already have right now.
I started growing my own organic vegetables... and started a routine of generally going to bed at 9.30 to 10 o'clock every night and sleeping until 7 A.M. I take perfect care of my machine.
My preference will always be theatre because it's where my heart lies and it's what I started with and eventually I want to direct it. It's where my real interest is. But I just love trying out new stuff. Acting for me isn't just for me about being in front of a camera ... it's so much more than that. It's always about telling a story and there are so many ways of doing that, so I'll always want to try something else.
To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.
A song, you know, you've got a tempo. You know,you've got something that is moving swiftly. You can't stop it, you know? Andit's designed to move swiftly from, you know, mouth to mouth, heart to heart,where a poem really speaks to something that has no time and that is - it's acompletely different perception.
I hate rats. I had a pet rat to try and overcome it. I even gave him mouth-to mouth resuscitation when he had a heart attack. But I couldn't conquer it.
An artist, if he's unselfish and passionate, is always a living protest. Just to open his mouth is to protest: against conformism, against what is official, public, or national, what everyone else feels comfortable with, so the moment he opens his mouth, an artist is engaged, because opening his mouth is always scandalous.
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