A Quote by Jasper Fforde
To a great extent, I still write for myself, write what amuses me. Fortunately, I have a quirky sort of strange sense of humor that appeals to other people and that's good. I still sort of write for myself though there are some areas of the book I feel I have to put in and I feel I have to deliver.
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I really, really enjoy fitting words together - but I only enjoy it when it's easy, when it sort of rolls along by itself. I never erase anything [and] I hardly ever write anything down... The song will be finished before I write it down... I won't write a song unless it serves me in some way, unless I feel I have to write the song to make myself feel better. If you're not overflowing with something, there's nothing to give.
There is a marvelous peace in not publishing. It's peaceful. Still. Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure. I don't necessarily intend to publish posthumously, but I do like to write for myself. I pay for this kind of attitude. I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.
It is scary to write - period - for me, but once you get past the idea that it's scary to write, I still can only be who I am. As a writer, my job, to me, is to expose myself - to really sort of dig in and find out who I am and then put it on the page.
I just write what I wanted to write. I write what amuses me. It's totally for myself. I never in my wildest dreams expected this popularity.
I think, taking too long to work on a record, you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour, and I write, and I write.
I've thought many times, 'I can't write this,' but on my own little planet I found the courage to write it because it was true. I put aside fear of Father being angry with me. It's hard though; the world pales in comparison with the stature of a parent. In some small-consolation way, my parents feel I'm helping people by giving them something to identify with. They feel proud in a sort of reverse way. My mom's proud of the fact that lots of kids look up to me.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
I feel like I give myself all day long to other people and other things, and I still seem like I have something to write once in awhile. Not often, though.
Any time you write history, you insert your opinion. You pick and choose what you are going to write about. I feel really happy not inserting myself. I spend too much of my life inserting myself. It's just great to let other people carry the narrative.
I write because I feel driven to write. I write from a sense of inner necessity. I don't write for anything other than that.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
I write titles that are confrontational. I write titles that make people want to pick up a book and find out more about it. I write good books; I write great titles though.
I feel like some sort of fiction-writing hobo, jumping trains and always hoping I'll find a good place to start a fire in the next town. And I keep having these panicky episodes where I corner my husband and rant at him: 'I don't have anywhere to write! I can't write! I don't have a place to write!'
I think taking too long to work on a record you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour and I write and I write. And I send them to the guys, and we start planning our studio ventures.
I'm constantly at war with myself to quit goofing around, and the internet hasn't helped that any. I've learned that I have to be sort of exploitive about seizing moments to write. Luckily, I still write most of my first drafts by hand, so I often work in bed when I can't sleep.
I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.
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