A Quote by Jasper Fforde

The fun one can have writing books about books is limitless, to be honest. — © Jasper Fforde
The fun one can have writing books about books is limitless, to be honest.
Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.
For Borges, the core of reality lay in books; reading books, writing books, talking about books. In a visceral way, he was conscious of continuing a dialogue begun thousands of years before and which he believed would never end.
Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.
My writing books with positive gay characters has come more out of anger than anything else: anger at not having been able to find honest, accurate books about people like myself as a teen, books that show we're as diverse as straight people and that we can lead happy, healthy, productive lives just as straight people can.
If thou need money, get it in an honest way by keeping books, if thou wilt, but not by writing books.
What I did do a lot as a child was read, and I particularly remember reading all the 'Hardy Boys' books, a set of history books called the 'Landmark Books,' and a series of science books called the 'All About Books.'
One of the maddening ironies of writing books is that it leaves so little time for reading others'. My bedside is piled with books, but it's duty reading: books for book research, books for review. The ones I pine for are off on a shelf downstairs.
When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
I have read books that are so cliched and lazy, my eyes have bled. But I also have read books marketed under the chick-lit umbrella that are so honest, clever and gritty that I've wanted to give up writing and paint walls instead.
I think the adjective post-modernist really means mannerist. Books about books is fun but frivolous.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
While writing books about the past, I think about the present. It's not intentional, but somehow my books end up being written under the sign of a political mood.
The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.
When I was in the sixth grade my friend and I always won writing contests, and we read a lot of books. We were always the ones that read the most books in class. I thought about writing but visual arts weren't part of my vocabulary.
What I find cool about being a banned author is this: I'm writing books that evoke a reaction, books that, if dropped in a lake, go down not with a whimper but a splash.
Aside from the posters, wherever there was room, there were books. Stacks and stacks of books. Books crammed into mismatched shelves and towers of books up to the ceiling. I liked my books.
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