A Quote by Jasper Johns
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither. At every point in nature there is something to see. My work contains similar possibilities for the changing focus of the eye.
Related Quotes
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
If only someone else could paint what I see, it would be marvellous, because then I wouldn't have to paint at all.
The best reason to paint is that there is no reason to paint... I'd like to pretend that I've never seen anything, never read anything, never heard anything... and then make something... Every time I make something I think about the people who are going to see it and every time I see something, I think about the person who made it... Nothing is important... so everything is important.
If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
When I start to paint, it is real agony. I get nervous. The day before, I am already working up to it. Then I get to the studio and, once the image starts to emerge and come together, pleasure kicks in. And then you can see things that no other person can see.
Cover the canvas at the first go, and then work on till you see nothing more to add ... Don't proceed according to rules and principles, but paint what you observe and feel. Paint generously and unhesitatingly, for it is best not to lose the first impression.
So I said to myself-I'll paint what I see-what the flower is to me but I'll paint it big and they will be surprised into taking the time to look at it-I will make even busy New Yorkers take time to see what I see of flowers.
I see less and less... I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up... I will paint almost blind, as Beethoven composed completely deaf.
A student of James McNeill Whistler tells the great artist, 'I tend to paint what I see.' Whistler replies, 'Ah! The shock will come when you see what you paint!
Sure, I can talk like you, but I choose not to, It's like an art, you know? Picasso had to prove to the world he could paint the right way, before he goes putting both eyes on the side of a face... See if you paint wrong because that's the best you can do, you just a chump. But you do it because you want to? Then you're an artist...You can take that to the grave and dig it up when you need it.
Directing is kind of like acting through other people. You see moments and you see things and if you don't see the actors hit it, you paint in those little spaces and tell them what direction to go in.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
Paint what you feel. Paint what you see. Paint what is real to you.
I see a flower. It gives me a sensation of the beautiful. I wish to paint it. And as soon as I wish to paint it I see the whole subject - flower - changed. It is now an art problem to resolve.
It's now or never. This is simple to say, but then to live like that is not easy at all, I'm sorry. You have to be aware enough so that you can see situations as they pass in front of you and be able to catch the instant, whatever it is. Many times, you just don't see the moment when you were yawning and then it's too late.
If some people really see angels where others see only empty space, let them paint the angels: only let not anybody else think they can paint an angel too, on any calculated principles of the angelic.
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