A Quote by Jasper Johns
As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion.
Related Quotes
There's a way in which all of these grazers at the spirituality buffet are performing a service, because you could argue that grazing leads to a kind of tolerance. People who incorporate teachings from a lot of different traditions into their own belief systems are going to be more tolerant than people who confine themselves within the strict boundaries of one particular religion. Does it contribute to our confusion? I don't know if it contributes to confusion so much as it is evidence of a certain kind of silliness and shallowness.
Can you believe that, to say that ours is the only path when the fundamental thing in art is freedom! In art, there are millions of paths—as many paths as there are artists.
You must remember that our God has all knowledge and all wisdom, and that therefore it is very possible He may guide you into paths wherein He knows great blessings are awaiting you, but which, to the shortsighted human eyes around you, seem sure to result in confusion and loss.
We had many books and pictures... my parents' way of life doubtless left a lasting impression on me. They created an atmosphere in which a certain kind of freedom could exist. This may well account for my seeking a related sense of liberty as I grew up.
I love looking at old photographs. I don't know if it's something that gets more appealing as one gets older and you're trying to get a sense of your place in the world and the little area that your life has taken up.
It is amazing how, when all possibilities seem to be taken away from you, the minutest opening can become a great freedom.
When you could discern a real threat from everything else, it was called caution. When you couldn't, it was called paranoia. ... You cannot separate paranoia from knowledge. The more you know, the more possibilities you see. The more possibilities you see, the more possibilities someone else sees. The more "someones" there are, the more "they" there are. It's a matter of simple math before you realize that They might not like you.
At this point in my life, I find myself obsessed with alternate paths I could've taken. I don't think about this with a sense of regret, but with a sense of wonder.
I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.
This is the period from ages 60 to 90 in which many people have a new sense of freedom, kids grown up, retired from formal work etc., about their possibilities. They can either crown a career, start something new, or launch themselves into a meaningful social enterprise. A phase of life that was once seen as an end can now more accurately be enjoyed as a beginning.
There is a great sense of community within the Montessori classroom, where children of differing ages work together in an atmosphere of cooperation rather than competitiveness. There is respect for the environment and for the individuals within it, which comes through experience of freedom within the community.
The reason artists show so little interest
In public freedom is because the freedom
They've come to feel the need of is a kind
No one can give them they can scarce attain
The freedom of their own material.
We are resolved to protect individual freedom of belief. This freedom must include the child as well as the parent. The freedom for which we stand is not freedom of belief as we please,... not freedom to evade responsibility, ...but freedom to be honest in speech and action, freedom to respect one's own integrity of thought and feeling, freedom to question, to investigate, to try, to understand life and the universe in which life abounds, freedom to search anywhere and everywhere to find the meaning of Being, freedom to experiment with new ways of living that seem better than the old.
I mean, there are many other directors who are probably both more skilled and excited to adapt novels or work within certain genre conventions. I'd like to do that kind of work someday, but for better or worse I'm too drawn by my own material.
Insecurity prevents young artists from 'flying' and older artists from being 'down to earth.' Young artists should work on their confidence and the older ones on their humility.
Though freedom and wealth are both good things which most of us desire and though we often need both to obtain what we wish, they still remain different. Whether or not I am my own master and can follow my own choice and whether the possibilities from which I must choose are many or few are two entirely different questions. The courtier living in the lap of luxury but at the beck and call of his prince may be much less free than a poor peasant or artisan, less able to live his own life and to choose his own opportunities for usefulness.
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