A Quote by Jasper Johns
What you might consider a bad work can be of extreme interest to an artist in ways which are not about its being a good or bad.
Related Quotes
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
It's irrational to assume you can ever truly evaluate yourself as a good or bad human being. You will never have enough information.That "bad person" at work who torments you might be an excellent father to his kids. That other "bad person" at work who screwed up royally today? That error might later lead to a huge breakthrough. We will never have enough info to holistically evaluate a person and score them in totality as "bad" or "good."
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
Everything can be brought to the extreme. Food is good, overeating is bad. Possessions are good, hoarding is bad. Guilt is good, obsessing about guilt is bad. But I think guilt is good because I'm like, "Hey, I just stabbed that guy and I feel pretty good."
When you celebrate somebody's bad work on the terms that define their good work, how can that artist have anything but contempt for an audience that can't tell the good from the bad?
Somtimes I regret [that debut album was titled "Bad Azz" ], because people take it the wrong way. Everybody got a bad ways, and I'm a 'Bad Ass'... whenever I'm not good, so that's what I'm talkin' about.
And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.
When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.
I don't think [price] reflects if the work is good or bad.A good artist shouldn't be nervous about that.
The bad guys are not typical, they are not just bad, they are interesting. They might be good or bad.
The bad guys are not typical; they are not just bad, they are interesting. They might be good or bad.
This is not going to be easy. I'm good at being bad, but I'm bad at being good. I don't know the first thing about good deeds.
Eventually, it becomes a matter of scale. When the good outweighs the bad, you stay. When the bad is the only thing you notice anymore, you think about your future, or what's left of it, consider options.
What is good about Good Friday? Why isn't it called Bad Friday? Because out of the appallingly bad came what was inexpressibly good. And the good trumps the bad, because though the bad was temporary, the good is eternal.
Bad restaurants find unique ways to be bad. Good ones are good in the same way: good food, nice staff, a pleasant room. The human capacity for finding unique ways to screw things up always amazes me.
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