A Quote by Jaume Collet-Serra
Anamorphic is very difficult because the distance from the lens to the person to focus is very long so you need a lot of distance from the camera to the person so that means that you need a lot of space.
Related Quotes
Sometimes a person has to go a very long distance out of his way to come back a short distance correctly.
It's hard to do a camera inside of a car. Non-Stop would have been impossible. Usually modern lenses you can focus up to the lens pretty much, but anamorphic you can't. You need like three feet.
'The Distance' is the most visceral for me because I was in a long-distance relationship for two years, and that wears on you for sure, whether you're in the industry or not, traveling and trying to get to that other person.
A lot of gaming and a lot of interaction is no longer physical; it's all digital and at a distance. There's this innate, tribal need of the people to have face time with other people and play together in person. I think there's been this rediscovery of the joy of playing with people around the table.
I guess I am basically most comfortable when I'm alone. As a kid, I was very much a loner. I love long distance running and long distance biking. A director once pointed out that those are all very isolated exercises you do for hours at a time.
I was in a long-distance relationship. There's a lot of heartache in distance, and in proximity - those ideas you have when you're next to someone who you haven't seen in a month.
I think the recent cluster of WWII novels is so good because we have reached an optimal distance from the war. Just as a lens has its focal length, the novel also has its best distance from the action.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
I've been with the same person for a very long time but I'm just non-conventional in that way. I don't think people need to be married. I think a lot of people need that piece of paper, but I don't think everybody needs that to feel secure.
I've been with the same person for a very long time but I'm just non-conventional in that way. I don't think people need to be married. I think a lot of people need that piece of paper, but I don't think everybody needs that to feel secure
The problem is we need toughness. Honestly, I think Jeb[Bush] is a very nice person. He's a very nice person. But we need tough people. We need toughness. We need intelligence and we need tough.
I'm very interested in the distance and the space between those two poles: very concrete, song-based stuff on the one hand and very improvisational, abstract stuff on the other. I don't see any reason music should exclude one or the other, and I think the pairing of them together makes for very interesting music in a lot of ways.
Song-writing is therapy for me. I'm a very moody person, very difficult to live with. There's a lot going on and a lot of contradictions. My life is always one step away from disaster.
I'm the person in my skin. I'm the person in my own body. And a lot of people just need to love themselves and focus on them and they wouldn't be worried about what anyone else is doing.
I am not an outgoing person. I am a very aloof person who gives a lot to his work. It's very difficult to have a personal life with this kind of mindset.
With the adult ones, I feel I need to get as deep inside the psychology of a character as I can, and that needs to be first-person. In the children's books, I feel I need some distance. I don't want to be the nine-year-old at the center of the story. I need to have some type of narrative voice.
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