A Quote by Jaume Collet-Serra

I moved to Hollywood when I was 18. I never saw it as a disadvantage in any way. Quite the opposite. — © Jaume Collet-Serra
I moved to Hollywood when I was 18. I never saw it as a disadvantage in any way. Quite the opposite.
I'm very conscious about the way I treat people because I was never really taught to treat people in a respectful or kind way. I never really saw that role model, so for me, that made me just want to be the opposite of what I had and treat people the opposite of the way I saw other people treat other people.
The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
I'll never believe I'm any older than 18. I get angry when my body can't do what an 18-year-old's does. And looking in the mirror is really a tragic sight. There are many consolations to getting older, but physically, it's quite unkind. I find that I have as much mobility, but it takes longer to get pretty.
I was born in California, and I lived on the outskirts of Los Angeles until I was 4. At that point, my family moved to Michigan. Between 4 and 18, I lived in Michigan, and at 18, I moved to New York.
My classmates would copulate with anything that moved, but I never saw any reason to limit myself.
It's cool to see everybody come together and do their own thing, but there's never been any drama. I never saw any on the X-Men set, and I never saw any on the Horror Story set.
When my sister moved to Mumbai to pursue a career in Bollywood, I was interested in Hollywood. Quite a contrast, right?
I got on a train to London when I was 18 and never moved back.
My family moved out of London's East End to a tiny village. The school I went to was supposed to be mixed gender, but there were hardly any boys born that year. So, yes, joining a youth theatre was a fun way to meet the opposite sex!
I used to audition for musicals when I was in New York before I moved to L.A., but I couldn't quite hit a certain note, so I saw a teacher in L. A. who helped me get better at it. She showed me how to use a different part of my voice. You are never too old.
I spent my first five years in Canberra then moved to Sydney, where I moved around the Hills District until the age of 18.
Had you met me when I was 18 I was very, very patriotic almost to the point of sounding a little bit bigoted or racist, but then I moved away, came to London, my eyes were opened and I saw the world.
I cringe at backstory. Because it never quite explains or gets into some psychological thing that is never quite right and never quite the truth and who knows why someone is some way.
When I made Spartacus during the McCarthy Era, we were losing our freedom. It was an awful, awful way. McCarthy saw Communists everywhere, in every level of government and they concentrated on Hollywood and especially on Hollywood writers.
I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.
I never quite lived up to the image of the black man as I saw it growing up. I was never listening to the right music at the right time or wearing the right clothes at the right time. I was still listening to Michael Jackson, and everyone had sort of moved on to gangster rap. Alanis Morissette when everyone else was listening to En Vogue.
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