A Quote by Javed Ali

People usually call me for experimental songs. — © Javed Ali
People usually call me for experimental songs.
Being associated with songs that push boundaries is amazing. If the rest of my career consists of a majority of songs that are experimental, I'll be a happy man.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
Anything that anybody wants to give me is great! I've had folk songs, heavy metal songs, jewellery... I would never call anything any fan gives me weird, as it's how people express what they like about the books, what it means to them, and that's a wonderful thing.
In my culture we had songs for everything, and that's lost now. There were songs for when people were born, when they died, when they sowed the field, baked bread and they're gone now mostly. I think we need these songs today. One of the reasons people connect to Wardruna in such a personal way is because there is a need for these songs and for that kind of connection to the nameless. Call it nature, god whatever.
So I usually call the songs when I get on the stage, according to what the crowd feels like to me. I can jump from 50 years ago to right up to now, and people will be familiar with the songs. And since we never do them the same way, it's a new experience.
It's like people call me a rock star or this or that. And I go, 'Don't call me that. I don't think of myself in those terms. If you have to call me anything, call me a chameleon.
I really dislike it when people talk about "experimental," because any good writer is experimental.
I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.
Lots of people come up to me and call me Sir Bruce now. Interviewers call me Sir with every question, but I never make a point of making people call me Sir. It doesn't matter to me, though; it was a great honour to be knighted. I'm very proud of it.
Call me a braggart, call me arrogant. People at ABC (and elsewhere) have called me worse. But when you need the job done on deadline, you'll call me.
Man, I have so many names that everybody calls me something different. Some people call me Drew, some people call me Mayer, some people call me Haircut.
We call them impact songs, and people buy impact songs. But you just never know what those songs are going to be. One of those songs that really went through the roof for us was 'Big Green Tractor,' which I thought was kind of a fun little ditty song that I never in a million years thought would be as big as it was. But it was.
People who have followed my career still call me Ron, and that's OK; most of the young kids call me Metta, and then everyone in China calls me Panda. In the Middle East, they call me World Peace.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
Once people enjoy what I do, I don't mind if they call me a magician or an illusionist or a hypnotist, entertainer, comedian, whatever people want to call me. I'm comfortable with all of the above, so I don't really mind at all what people want to call me.
We have always wanted to write songs and be experimental in that way.
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