A Quote by Javed Jaffrey
You can do a lot of impromptu in dubbing. You can bring in different characters and different accents.
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I went through various phases of different accents - I get ridiculously obsessed with different accents, different regional ways of using the voice, different types of singing. It's all tied together. Speaking is a kind of singing, as are crying and laughing.
I love playing characters with different accents. It's a lot of fun.
I've had a lot of characters and personalities, accents and different aspects from all the walks of my life.
When you're traveling constantly, every day you become inspired, and it shows in my work, sonically, lyrically, visually. Conversations with women with different accents and stories told in those accents. I like to create characters based on different people I've met, and relationships. I like to tell stories loosely based on real-life events.
In the Navy, you're around a lot of people from different parts of the country. They've got different accents, different upbringings. I learned to love country-western music.
My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.
Americans aren't good at accents, but the English are because their accents change. You go five or six blocks and the accent is different, so they are used to hearing different pitches. In America, you gotta travel maybe 10 states before you can really hear a difference.
To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
Acting is a job you can learn a lot in. You get to play lots of different characters with different professions and different backgrounds; they come from different places than you do, so it's really fun when you're immersing yourself in that world of that person to learn about how other people's lives are.
I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want.
I'm happy to do voice-overs. I always have a good time doing them. I like to explore vocal nuance and accents and different people, different personalities. In a way, it is a lot more freeing than having your face up there.
When you have a lot of people playing different characters, you need to do justice to every character and bring meaning to their presence in the script.
My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.
It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.
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