A Quote by Javier Bardem

I don't really care where movies come from as long as they're worth making. — © Javier Bardem
I don't really care where movies come from as long as they're worth making.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
It's a really unique situation where you just - you make independent films or you make big blockbuster movies, but it's very rare when all of those ingredients come together, and you can really tell a story that you care about with a character you absolutely love with the people you love making movies with.
It's really touching that we can come back after so long and care about making an album that says as much as this one does. And after all this time, we really do care about each other.
It's hard work making movies. It's like being a doctor: you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.
I'm really tired of making these huge, over-$100 million movies where they literally mean life and death for a studio. It's really rough making these expensive movies. Everyone is hysterical.
I'm definitely not making movies solely for myself. That's something that I hear people say in the past, all they care about is that they like what they're making. They don't care what other people think. I think that's a disservice to the project and to the people that are working on it.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I just had fun making the movies - just being on set - but I didn't really care about the acting part.
Time marches on and I don't care how people watch my movies as long as they see them. I don't care if they're on their phone.
The long and short of it is that I am now in a position in England to green light movies, and that's really excellent - not high-budget movies, but movies none the less.
I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.
I'm not intelligent enough to be a doctor, and kind of hands down you can't argue with the worth of that. But I don't really have an opinion about the worth of making art.
I was really, really stagnating and getting bored in the steady work of television and didn't really know what movies I would be making that Hollywood would be making, and then I went on to 'Game of Thrones,' and it was just like, everything I've been waiting to do was handed to me by really nice people.
It's hard to really get that excited about movies. Think about it like this: how many good comedy movies come out a year? Maybe one or two? And then, in those movies, what are the chances that there's a character that I'm the best fit to play? It's really small!
Because I was in the business of translating the 'X-Men' from the very successful comics, and taking the most popular book of the 20th century in 'The Lord of the Rings,' and making it into three movies, I hope people realize I wouldn't get involved in anything I didn't think was really going to be worth their while.
I think the only thing filmmakers can do is try to make good movies and make them as long as they allow us to keep making them. But at the end of the day, it is a business, and if audiences don't care, there's nothing we can do. It'll just go away, I guess.
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