A Quote by Javier Bardem

I will work with a director who has good material because at the end of the day, that's what counts. — © Javier Bardem
I will work with a director who has good material because at the end of the day, that's what counts.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.
I only travel to good material, a good director and a good company. I won't work in another country for a year any longer, because I have a lovely wife and I adore her and I can't bear to be away from her.
Obviously, if a director doesn't communicative a clear, relevant vision of the material, it will not succeed no matter how good the material.
'Analyze This' is a good movie because Robert De Niro and Billy Crystal are really good. But without the material to put on the play, of course, they couldn't be good. For me, it starts with the writing. I always think that the writer is doing the vast majority of the director's work, in a sense.
For me, a director is a director immaterial of the gender. At the end of the day, the audience is only interested in watching a good film.
I just trust the director and never overanalyse the script, screenplay, etc. You are just taking a bet at the end of the day, so confidence, be it on the filmmaker or the script, is all that counts.
I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.
I learned a long time ago that at the end of the day, the only stat that counts is points, The other ones are significant, but I'd much rather have the right score on the board. At the end of the day, that's what we're worried about.
You know how hard it's been to write material? Because to do stand-up comedy, it takes time for the material to develop. So you'll come up with a joke, you'll tweak it, you'll work it for six months, you really fine tune it, and now you've got a good bit. Well, with Trump, every day there's something new coming out.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
I will argue my points; I will have my opinions. But at the end of the day, it's the director's choice.
Having a good director is very important. It's crucial. When you do good work with a certain director, you want to work with them again, and hopefully vice versa.
One pattern to help yourself fight the mad dash for the mirage of being done is to think of a good day’s work. Look at the progress of the day towards the end and ask yourself: 'Have I done a good day’s work?'
The other thing is that women my age know that looks are only skin deep. They don't matter. What matters is who you are. Hopefully at the end of the day, you're a good person. That's what counts.
I don't think you should want everything at work, because home life is so important, and much more nourishing for your soul. One day work will end.
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