A Quote by Javier Zanetti

My secret is to train as intensively as I can, if possible, with the same intensity you experience in a real match. — © Javier Zanetti
My secret is to train as intensively as I can, if possible, with the same intensity you experience in a real match.
When you train, you should train as if on the battlefield. Make your eyes glare, lower your shoulders and harden your body. If you train with the same intensity and spirit as though you are striking and blocking against an actual opponent, you will naturally develop the same attitude as on a battlefield
Time exists so that you can experience these flavors as deeply as possible. On the path of devotion, if you can experience even a glimmer of love, its possible to experience a little more love. When you experience that a little more, then the next degree of intensity is possible. Thus, love engenders love until you reach the point of saturation, when you totally merge with the divine love. this is what the mystics mean when they say that they plunge into the ocean of love to drown themselves.
I’ll tell you the secret to good teaching: make possible an experience without predetermining what that experience will be.
I train about six days a week. I'm training at the same intensity as I did when I was playing football. I've done it for my entire life, and I love it.
When you're watching somebody read your material and they smile and nod, you know you've found that place where your experience and their experience match, even though they aren't the same exact experience.
When you start to add paraphernalia into a match whether it's a ladder match or a tables match or anything, any of these outside factors, you start to ramp up the intensity and you ramp up the difficulty in these matches.
As an amateur, I trained in some real hard schools of knocks. In Cuba, they would have judges on three sides of the ring just for sparring sessions. They train under exactly the same conditions as they fight, and it was a great experience.
The difference between men and women is inalienable. It is not a political fact, subject to cultural definition and redefinition, but a physical verity. We do truthfully experience our lives differently because our bodies are different. It is in what we do with our experience that we are the same. We feel, absorb and examine with the same intensity, and intense experience honestly examined informs the art of both sexes equally. ... The power of imagination illuminates all human lives in common.
Even sleep is part of my job because I need a certain number of hours of sleep to be able to train at the intensity that I do. I'm constantly working to keep my body in the best possible shape.
'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.
The thing I like the most about Sachin is his intensity. After being in the game for so long, he still has the same desire to do well for India in any international match. I tell you what, this man is a legend.
The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.
We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible.
With enough emotional intensity and repetition, our nervous systems experience something as real, even if it hasn't occurred yet.
If a train doesn’t stop at your station, it’s simply because it’s not your train. Don’t try to flag down the conductor and convince them to stop there, even if their own map says that they should just keep going. You may not realize it, but there’s another train trying to come toward you, unable to get into your station because a train that doesn’t even belong there is being delayed there by your intensity.
Most of us live in a condition of secrecy: secret desires, secret appetites, secret hatreds and relationship with the institutions which is extremely intense and uncomfortable. These are, to me, a part of the ordinary human condition. So I don't think I'm writing about abnormal things. ... Artists, in my experience, have very little center. They fake. They are not the real thing. They are spies. I am no exception.
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