A Quote by Javier Zanetti
For some reason I have always felt at home here at Inter and this is why I have never thought of leaving.
Related Quotes
Why is it that a large majority of Hindus do not inter-dine and do not inter-marry? Why is it that your cause is not popular? There can be only one answer to this question, and it is that inter-dining and inter-marriage are repugnant to the beliefs and dogmas which the Hindus regard as sacred.
But why had he always felt so strongly the magnetic pull of home, why had he thought so much about it and remembered it with such blazing accuracy, if it did not matter, and if this little town, and the immortal hills around it, was not the only home he had on earth? He did not know. All that he knew was that the years flow by like water, and that one day men come home again.
Well, when you're an immigrant writer, or an immigrant, you're not always welcome to this country unless you're the right immigrant. If you have a Mexican accent, people look at you like, you know, where do you come from and why don't you go back to where you came from? So, even though I was born in the United States, I never felt at home in the United States. I never felt at home until I moved to the Southwest, where, you know, there's a mix of my culture with the U.S. culture, and that was why I lived in Texas for 25 years.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
I always wanted to make a song like 'Why' even before my second album. It was just something I always had in my mind. But when I got the beat from Havoc, it was like the perfect beat, I felt... I wanted to get some questions I thought everybody... felt like 'why?' to.
For some reason, I always thought I was special. And for some reason, I always thought that I had a purpose in life: that I was supposed to contribute to the world.
I've never felt at home in Kortedala, or in Gothenburg, so I always felt like I needed to go somewhere and find some kind of perspective on things.
I always had this idea that, 'Sure, I wished I was a boy and felt more like a boy and all of that.' But I wasn't, so I would deal with it. And I for some reason thought there were other lesbians that felt that way and that was just part of that community.
My mom always brought home a present once a week for all of us. We never felt like we ever needed anything. We never felt poor. So I never felt I had to go out and do something wrong to get money.
I never thought about leaving a tennis legacy. I always thought about leaving a legacy of fulfillment, living out your dreams, and giving back.
However painful the process of leaving home, for parents and for children, the really frightening thing for both would be the prospect of the child never leaving home.
I never felt at home. I stuck outIn New York City, especially in Greenwich Village, down among the cranks and the misfits and the one-lungers and the has-beens and the might've beens and the would-bes and the never-wills and the God-knows-whats, I have always felt at home.
In 2000, with Tardelli at the helm, I really thought about leaving Inter. I had an agreement with Real Madrid and everything was ready for me to move to Spain.
I always felt like Tahliah's a very grown-up name to have. It's a pretty name when you're young, and then I think when I became a young lady, it felt kind of like a lot to grow into for some reason. I don't know. It sounds kind of regal. I never really liked it. I always felt like I couldn't live up to it.
I first visited the Philippines when I was 29. I thought I would feel at home there, but I felt more out of place than I did in the U.S. I discovered I was more American than Filipino. It was shattering because I never felt quite at home in the U.S., either.
Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.
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