A Quote by Jawaharlal Nehru

You don't change the course of history by turning the faces of portraits to the wall. — © Jawaharlal Nehru
You don't change the course of history by turning the faces of portraits to the wall.
To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning around. Surely our innocent pleasures are not so abundant in this life, that we can afford to despise this or any other source of them.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
Over the objections, where they sound like squealing pigs, over the objections of Romney and all his allies, we passed some of the toughest Wall Street regulations in history, turning Wall Street back into the allocator of capital it always has been and no longer a casino. And they want to repeal it.
A man cannot paint portraits till he has seen faces.
In a very literal way, of course, Shakespeare did change the course of history: when it didn't fit the plot he had in mind, he simply rewrote it. His English histories play fast and loose with chronology and fact to achieve the desired dramatic effect, re-ordering history even as it was then understood.
An instant can crush a brain and change the course of life, the course of history.
Art may not have the power to change the course of history, but it can provide a perspective on historical events that needs to be heard, even if it's seldom heeded. After all the temporary influences that once directed the course of history have vanished, great art survives and continues to speak to each generation.
I do mostly portraits. So it's just people's faces, not really any ideas.
To persons uninstructed in natural history, their country or seaside stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall.
When we interpret the violent portraits of God through the lens of the cross, we can see God doing in history what he did in a supreme way on Calvary. And this is how these violent divine portraits anticipate, and point us toward, the cross.
Portraits are to daily faces As an evening west To a fine, pedantic sunshine In a satin vest.
During the course of 1989, more and more East Germans lost their fears of the state's repression and chicanery and went out on the streets. There was no turning back then. It is thanks to their courage the Wall was opened.
I'm an odd portrait painter in that I'm not just interested in human faces. I consider almost all of my paintings to be portraits.
In every era, there are only one or two moments when nations come together and reach agreements that make history, because they change the course of history.
The course of history as a whole is no object of experience; history has no eidos, because the course of history extends into the unknown future.
I majored in history and political science at the College of Charleston in South Carolina, and I have always loved researching how a single human being can change the course of history.
This site uses cookies to ensure you get the best experience. More info...
Got it!