A Quote by Jay Asher
Everything seemed good, but I knew it had the potential to be awful.
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I knew I had done something awful. I had killed love, before I even knew the enormity of what love meant.
Now intelligence seemed quantifiable. You could measure someone's actual or potential height, and now, it seemed, you could also measure someone's actual or potential intelligence. We had one dimension of mental ability along which we could array everyone... The whole concept has to be challenged; in fact, it has to be replaced.
My mum gave me pretty good genes in that department. She had gorgeous skin. That good English complexion. She never seemed to have a blemish that I knew of.
He knew all the answers. Everybody did. Everybody knew everything and everybody knew all the answers. It was just that the enemy seemed to know better ones.
All I knew about the word cyberspace when I coined it, was that it seemed like an effective buzzword. It seemed evocative and essentially meaningless. It was suggestive of something, but had no real semantic meaning, even for me, as I saw it emerge on the page.
Because I knew how hard I worked, I knew the pain, I knew the sacrifice, I knew the tears, I knew everything. Despite everything, I stuck to it. I toughed it out, and I kept my head in the game, even when the odds were against me.
I found myself losing interest in almost everything, I didn't want to do any of the things I had previously wanted to do and I didn't know why. Everything there was to do seemed like too much work. The opposite of depression is not happiness, but vitality, and it was vitality that seemed to seep away from me in that moment.
It seemed to her as though everything that was good and true had been blasted out of the world. All those things had been crushed destroyed made to disappear.
By the time I was a senior in high school, I knew I wanted to move to Silicon Valley and learn more about computers and the Internet. I just fell in love with technology and the potential of everything the Internet had to offer.
I knew everything about her backstory. I skimmed through all the books and read through everything that happened between Sam (Chaske Spencer), Emily and Leah (Julia Jones), so by the time we started filming, I knew everything that had to do with my storyline.
I always knew that there were huge opportunities for me, and that I had a lot of potential to do a lot of different things, but I also knew it was about my execution and my application of skills.
Many people used to call me a child prodigy, but I never thought that. I knew that I had learned everything, that I had very good circumstances.
Yet, when we talked, when we were together, she seemed so familiar. Seemed to know who I was, where I was coming from. She knew me better than I knew myself, I think. She was easy to be with. And I wanted to be with her, like all the time.
In a musical sense, it seemed like all the good intentions had gone awry, very quickly. I mean, we got back from America and Blur had made The Great Escape, which I thought was a really, truly awful album - so cheesy, like a parody of Parklife, but without the balls or the intellect. And Oasis were enormous and I always found them incredibly dreary. There was this uncritical reverence surrounding the whole thing
Stanley Kubrick knew we had good graphics around MIT and came to my lab to find out how to do it. We had some really good stuff. I was very impressed with Kubrick; he knew all the graphics work I had ever heard of, and probably more.
I'm really sensitive to the beginning of a motif or a phrase or something that's kind of the backbone or becomes kind of the spine that you grow muscle tissue onto. You know from that, if you have that good beginning, it's like everything that grows off it often has potential. Maybe I'm good at that early bit of recognition of pieces of potential. I'm not sure.
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