A Quote by Jay Asher

Fun drunks make a nice addition to any party. Not looking to fight. Not looking to score. Just looking to get drunk and laugh. — © Jay Asher
Fun drunks make a nice addition to any party. Not looking to fight. Not looking to score. Just looking to get drunk and laugh.
Half of them kept repeating my name, trying to get it right, while the other half laughed. But they were harmless. Fun drunks make a nice addition to any party: Not looking to fight. Not looking to score. Just looking to get drunk and laugh. I remember those guys. Like the mascots of the party. "Clay! Whatcha doon here? Bah-ha-ha-ha!
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
When you have the chance to go against a brother of yours on the court, you're always looking at each other like, If you score, we're looking at each other. If I score, I'm looking at him.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
At this point in my life, I'm not looking for any happy endings. I'm just looking to get things started.
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
Tech is not looking for inclusion per se, but they're looking for assimilation. They're looking for Blacks and Latinos and women, but they are looking for these groups as versions of themselves.
I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.
In photos, I don't know who the real me is - it's all pretend, just pretend. There's not much of myself in my work. If I'm looking in the mirror and I'm working, I'm looking at my make-up and my hair. It's not the same as looking at myself.
It's always nice to have people say you're good-looking. But I do get told I'm not right for parts because I'm too good-looking.
When someone is looking down, they're saying no. When they're looking up, they're looking to their brain for memory. When they look to the left, they're looking for a lie or something they memorized. When they look to the right, they're feeling sorry - they don't want to answer.
Looking is not indifferent. There can never be any question of 'just looking'.
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.
I'm not that good looking... nobody is that good looking. I have seen a lot of movie stars, and maybe four are amazing looking. The rest have a team of gay guys who make it happen.
When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.
Our records are commodities. We're looking to make a sale. The radio stations are looking to get the advertising dollars. The end.
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