A Quote by Jay Asher
I decided to find out how people at school might react if one of the students never came back.
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After considering the ways that I might be able to help young college students, I decided to continue my support of the Light on the Hill scholarship. I would like to endorse this particular fund and encourage other former UNC students who have found success to reach back and assist the efforts of current and future Tar Heels.
When I decided that I might want to do acting for a living - I don't know where it really came from, since there was no school play or any of that - my mom gave me her blessing. I had to get a scholarship - that was the only way I could have gone to drama school.
I did a series of classes in psychology (at the institute), .. The students that came to that class had children. And over a period of a few years, they decided they wanted a nursery school, a play group (to watch over their children while they were studying). So in one of the garages that was near where we were having the classes, we established a play group area and the students volunteered to supervise. That eventually led to building a state-licensed nursery school, which was approved by the California department of social welfare.
Everything comes back around. You never thought Louis Vuitton and Gucci and all that other stuff would come back. You know what I mean? And now it's one of the highest brands there is out. Everything just comes right back into circulation. Baggy jeans might come back out again. Might be a while, but they might.
Particular individuals who might never consider dropping out if they were in a different high school might decide to drop out if they attended a school where many boys and girls did so.
How is this any different than the big boat argument of people when it came to African-Americans after the Civil War, decided, 'Put them on a boat and send them back where they came from?' You know, he says it in polite language, but that's what Romney's been saying, 'Get home where you came from, start all over again.'
Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.
I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.
My experience came before most of you were born. My school was a state school in Leeds and the headmaster usually sent students to Leeds University but he didn't normally send them to Oxford or Cambridge. But the headmaster happened to have been to Cambridge and decided to try and push some of us towards Oxford and Cambridge. So, half a dozen of us tried - not all of us in history - and we all eventually got in. So, to that extent, it [The History Boys] comes out of my own experience.
I started waiting tables in college and realized how much I loved the business and loved to cook. I decided to go to culinary school and never looked back.
I've had many students over the years, sometimes even very sophisticated students, who will be writing and will hit a wall. Often I find it's because they're working out of sequence. Maybe some people can do that, but I don't think that's how fiction works. It's a discovery.
I think the beard helps offset - it's the only hairstyle I can really pull off. But I'm often clean-shaven. I think, you know, for me, it's not that signifier. What's interesting to me though is although the beard isn't a signifier of that to me, other people very often think that it is. And so people in America might react differently. The, you know, border agents might react differently. The guys at airport security might react differently.
I don't ever judge somebody by what comes out of their mouth 'cause I don't know what they're thinking. Sometimes people might just say things just to see how you react about it. People might say things to you just to try to throw you off your game. Doesn't necessarily mean they're a racist.
A good journalist, as you know, is a great listener. And so's a good writer. And I got to listen to people for almost 20 years. That serves me well, I hope, when I try to understand how a character might be feeling, or how they might react.
I've never had a stupid student in my life. I never look down on my students. I never thought, "Look at these people." I might argue with them and I think that some of them might have misconceptions - that they might be infected by the intellectual laziness that is the foundation of American popular culture, and of capitalism, if you wish. But part of my job as a teacher is to work with that - against that.
When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.
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