A Quote by Jay Baruchel
I know it's going to sound like a cliché, but the key of successful playing a role is to sort of keep it real and earnest and react the way that one would react in those situations. Where the disconnect between the movie and the audience would happen is if you go too big or too crazy with that stuff.
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The way people respond to struggles or express their feelings in difficult situations are very different. I like imagining how characters would react in certain situations.
Three or four stones in one firing will all react differently. I try to achieve a balance between those that haven't progressed enough and those about to go too far.
No matter what I've written, someone somewhere has come up to me and said, "Me too." The truth can be offensive, but it's always nourishing, in a way. You recognize it. You can feel it. And even if [readers] think, "My god, I would never get in those situations," within those ridiculous circumstances that I have created for myself, they know the way I respond is probably what they would do too.
Sometimes I feel like people don't even know how to react in some situations because of online culture. Since many things are online, you might not react to something that is happening live.
Just because you've had one or two of those games, you can't really go back to the next practice and change everything. That's the most important thing in those situations that you don't think too much, you don't try to change too much because then you're going to be in deep trouble, that's what I think. It's all about keep working on what's been successful for you and keep believing what you're doing is the right thing.
To imagine secret societies and conspiracy is a way not to react to the social and political life. Because you say, "We don't know who they are. We cannot react without reasoning." So it is a way to keep people far from the political environment.
I knew we would eventually get back together, but I don't think any of us really knew when it was going to happen. It had to be a situation where all four of us felt like it was time. It's just too personal and too big, with too much history, to do any other way.
I tend to keep the press at a distance, you know, and I don't really react to what they say. I react to what I feel more.
Making a fantastical world real is a bit of a challenge, for sure. When you're on set and you have a green screen you're working with where you'll pretend there's a giant lizard chasing you when there's nothing there. Being shown the images of what the creatures were going to look like and then having to react to them realistically without feeling like you're a crazy person. You kind of have to go for it. In order to sell it to the audience, you can't really hold back.
I am not like Hitchcock, directing the reaction of the public or the audience. I don't like that. I think this is some kind of fascism - 'You need to react like that.' No. No. It's not like this; everyone needs to react as he can.
Most actors work on a scene, I try to find out who the character is. So when a scene or a moment comes, I react the way she would react.
Obviously, when you're in theater, you have to be in character. You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character. In six months, 192 shows, those things did happen. And the experience of that, the ability to stay in character, I feel like I've learned a great deal.
How would you feel if you had no fear? Feel like that. How would you behave toward other people if you realized their powerlessness to hurt you? Behave like that. How would your react to so-called misfortune if you saw its inability to bother you? React like that. How would you think toward yourself if you knew you were really all right? Think like that.
I was also a fan of the first one Saw movie. I knew there was a danger in doing the sequel, especially like this. They have such a core audience for the Saw movies. The fans of the movie actually demanded a sequel. They were on the internet going crazy. I don't even go on the internet. I don't even know how all this stuff happens. But they wanted it and one the one hand that's good, because you know there's an audience.
I'm too impatient to wait for things to happen to me. If I should be out of work for two months I would go crazy. So as soon as I'm free, I start writing. While it is necessary for me to write, I know that if I go too long without acting on the stage I don't feel well.
Imagine that someone said or did something cruel to you, but that you did not react in any way whatsoever – you did not become upset, resentful or even ruffled. You simply observed that this person was saying or doing something cruel, as though you were calmly observing the scene in a movie. You simply would not be stressed by what would appear to others to be a highly stressful encounter. Stress and cruelty affect us as profoundly as they do only because we react to them resentfully.
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