A Quote by Jay Chandrasekhar
Everybody wants to make more movies. You see any movie, and it's just a feat of human strength and perseverance. It is a brutally challenging business.
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You see any movie, and it's just a feat of human strength and perseverance. It is a brutally challenging business.
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.
I genuinely try to make movies I'd want to go and see, movies that are a bit more challenging.
I never expect anything. I am always amazed at why anybody goes to any movie or why anybody doesn't go to any movie. Any movie you make, you make it because you're hoping somebody wants to see it, but you never know.
Financiers don't support their directors to cast properly. They don't have the vision of an artist. They're casting to spreadsheets, and it's making movies very mediocre. The movie business used to just be called the movies. Now it should be the business movies.
In Europe, where we have all these different forms of financing and cultural funds and systems like that, it's a good mixture of supporting artists to make movies. But, on the other side, everyone still wants to make money making movies. Again, even in the European film business, it's expensive to make movies.
When guys see a movie starring women, they go, "That must be filled with these characters I see in these movies who are such a drag." And that's just bad for everybody.
I can't do the movies like I do painting because I am really more of a sort of dilettante or something. I mean I know guys that make movies that I can see it is absolutely their medium and they can just go from one movie right into the next because it is just - they have got it so much on the tips of their fingers. But for me it is a special effort.
The bigger the movie is, the more agendas everybody has. It becomes more of a job for everyone, but on these small movies, you're making them because you want to make them. You're there because you want to do it. When you make a small movie, the one thing you have is that everyone is unified. That's what you need. You want everybody to want to be there and be a part of the project. If you can cultivate that, everyone works hard for it.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
The budgets are much higher now, it costs more to make a movie and the kids that go to see them are into instant gratification. They want things bigger and bigger. I don't make those kind of movies. I make movies about relationships.
This thing where Daniel Cormier wants to fight Brock Lesnar; I know he wants to make money, but it doesn't make any sense. The only one who wants to see that fight or make that fight is him. Nobody else wants to see that.
I'd like to be making more films more frequently, but I do find that making movies, for me, has proven to be an extremely challenging road. No movie is easy; no movie has come together quickly.
Everybody who's making the movies needs to work hard to make sure they're good. And if you don't show up and see the movies and support them financially, no one is going to make them. It's going to change unless it makes money. That's the long and short of it. You have to give in to the fact that it's a business.
I don't want to just make horror movies; I don't want to just make any type of movie - I don't just like horror movies, I love movies.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
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