A Quote by Jay Chandrasekhar

Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
I keep on repeating something told to me by an American psychologist: "When you are making a joke about someone and you are the only one to laugh, it is not a joke. It is a joke only for yourself." If people are making a joke they have the right to laugh at me but I will ignore them. Ignoring doesn't mean that you don't understand. You understand it so much that you don't want to react.
People try to put ownership on things: 'That's mine, that's my joke.' No such thing. Like if you tripped or stumbled and people go, 'Oh, that's Charlie Chaplin.' You know what I mean? You can't own a joke. You can be the guy that tells it the best, but you can't own a joke. Nowhere can you own a laugh.
I think Trump is terrible for comedy. A lot of people say he is great. He's not. You can't joke a joke.
The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
Twitter is just a great joke laboratory. You go in there and there are so many witty people that I know any joke I make is going to have a response with at least 10 great jokes coming back.
Is it my fault that there is a stereotype that black people are not good swimmers? I know that's a joke, but somebody will say, 'I can't believe you would say that.' Well, first of all it's just a joke, and second of all if you watch the Olympics, black people win medals in jumping, running. They don't win any in swimming.
Every joke is an experiment. When you sit, alone, and write a script, or just a joke, you really have no idea if it will succeed.
There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
There is nothing - nothing - like writing a great joke and having that joke kill onstage.
I don't see much point in doing things for a pure joke. Every now and then you need a joke, but not so much as the people who spend all their lives constructing joke palaces think you do.
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