A Quote by Jay Chandrasekhar

I have always enjoyed outlaw films such as 'Smokey and the Bandit.' — © Jay Chandrasekhar
I have always enjoyed outlaw films such as 'Smokey and the Bandit.'
I'm really much more like Phil Potter from [the 1979 film] Starting Over. People do think I'm the Bandit [from Smokey and the Bandit ], and I'm a lot more serious than that.
'Smokey and the Bandit' is tough and funny.
It was a bit of a lark when I agreed to do [Smokey and the Bandit], and I knew we'd have fun if we could get Jackie Gleason.
You might be a redneck if you have refused to watch the Academy Awards since Smokey and the Bandit was snubbed for best picture.
Trans Am sales went up 70 percent after Smokey and the Bandit, and I was promised a free car every year for life by the Pontiac president.
Smokey and The Bandit was just a lark. All we did was run up and down those Georgia roads wrecking cars and having the time of our life.
Smokey and the Bandit was the first picture [Hal Needham ] directed, and I knew he could handle it. I had just directed Gator, and he saw my style and used that as a pattern.
I thought 'Deliverance' was a very good film. But it didn't have the success financially that 'Smokey and the Bandit' did, although that film made more money than 'Star Wars' in the first week.
I've enjoyed the time I've had working on films. I've enjoyed television movie-of-the-week format. I've enjoyed the few comedies that I've done, and I've enjoyed one-hour television.
I went to England to tell jokes, and I wanted to tell my Smokey the Bear joke, but I had to ask the English people if they knew who Smokey the Bear is. But they don't. In England, Smokey the Bear is not the forest-fire-prevention representative. They have Smackie the Frog. It's a lot like a bear, but it's a frog. And that's a better system, I think we should adopt it. Because bears can be mean, but frogs are always cool. Never has there been a frog hopping toward me and I thought, "Man, I better play dead!"
I just enjoyed telling stories. I enjoyed watching films and reading and becoming someone else. I spent a lot of time on my own when I was younger; I enjoyed my own company and still do, so it was a source of escapism.
We got Sally Field onboard [in Smokey and the Bandit] and it changed the entire dynamic. About a third of the way into filming, I was in the car with Sally and there was this little moment where we kind of looked at each other, and then we both turned and looked over at Hal [Needham]. He gave us a thumbs up and said, "Yeah!" And we kind of knew there was some magic going on.
I can't tell at what age I developed this love towards movies, but I've always enjoyed watching films. I've grown up watching the films of my uncles Chiranjeevi and Pawan Kalyan.
When I first got to Motown, Smokey was already a fixture there. To me, he is one of the greatest songwriters and poets, so anything they ask me to do for Smokey is going to get a yes.
I've been on lots of film sets. I've produced films and written films and been around, so it wasn't my first rodeo in terms of that stuff. Nothing particularly surprised me, I have to say. I came in and I enjoyed the first day and I enjoyed the last day.
Successful leaders develop effective strategies for maintaining their boundaries. ... Most time bandits don't know any better. And being a time bandit is a matter of context. One person's time bandit is another person's pleasant diversion. ... Instead of gritting our teeth to be polite and resenting the time bandit for holding us up, the best choice is to be honest. We cannot expect another person to honor our needs unless we affirm them ourselves.
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