A Quote by Jay Chandrasekhar

I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic. — © Jay Chandrasekhar
I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
When you go to jail, there's so much simple stuff missing. You just want some good toilet paper or a real toothbrush, a real blanket and a real bed to lay in.
It's funny, when things go on the internet now and people say 'that's not real,' well, that's what painting's always done - it's taken things from the world and said, Look how much more real this is now.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
I think my sense of humor is really dark and super twisted and stuff like that. It's like, "Is this a funny joke for real? Or am I just rich?" See? That was funny.
I am such a fiery woman and I am a real passionate woman and I get so much stuff built up inside of me that I can release all that on stage, and I kind of counterbalance it with the normal Maria that I am because with the real calming, natural kind of earthy spirit stuff and it kind of balances me out so I don't go too crazy.
The last thing I want to do is to write about real things. I am not interested in reality and in real human beings and their real day-to-day problems - I just want to say to them, 'Hold still, and I'm just going to unpack, see what's inside.'
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
There is this idea in comedy that you don't want to look like you care about your appearance because that takes away from what's real, what's important. And the real stuff is what's funny.
I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.
I want to be in some Willy Wonka-type weird stuff, a role where I'm an alien. Anything that's new and challenging and real. I like real stuff.
There is just so much stuff in the world that, to me, is devoid of any real substance, value, and content that I just try to make sure that I am working on things that matter.
I think there's so many shows out there that have pushed the limit on technology and all of that stuff. I think people are much more interested in real good, feel-good stories.
It is easy to make stuff up - and easy to dig up information and repeat it or report it to others. But to find a real life story with real people in real life situations is quite difficult and time-consuming. Yet, the rewards are worth the effort.
Before the money or anything, number one, it was just to put out real music, real stuff with a passion, real art.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
I don't want to be responsible for messing up someone. I don't want to be responsible for that, because the things that happened in The Verve, it was heavy stuff. It was real. It wasn't just frivolous nonsense, you know what I mean? There was real people's lives.
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