A Quote by Jay Chandrasekhar
Showbiz works well when you give the audience what they want.
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I don't think people should abuse the fact that they are in showbiz. You still have to be human. I think that's the point. Showbiz is about showing human things - just amplified, that's all. And when it gets too much into, "Hey, we're part of the showbiz club and we can do what we want," it turns me off and I hate it.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.
When the theater is gothic it matches the sensibility of the show. It's also very intimate. The audience is very close to the performers. The show is scary and the scary stuff always works best with an intimacy with the audience. And the show is erotic, and I think erotic always works best when it's close to the audience, as well.
The audience got jaded, they want a hit, they want a big success, and so you don't want to experiment because you say, well, I'll disappoint the audience, they may not like it, I better do something that I think is more commercial.
I want to give the audience the whole package, and for me, the whole package is to give them something fresh as well. It's not as much fun resting on your laurels.
That's basically what the drive is: "I want to be famous, I want to be noticed, and I want to be approved of." That's basically what you're after. "Give me attention, give me applause, give me an audience. A. A. A. Straight As." That's all you're looking for.
...You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell.
I would love to play a main character and then play different characters as well. I would want for it to be a sitcom, multicamera, audience - that's definitely a dream. It's in the works, so... it's closer than everybody thinks it is.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
Here I am very well, the city and the team give me everything, I want to give back to the Neapolitans, I want to give them the Scudetto.
I have changed a lot as a person coming into showbiz and meeting a cross section of people from all walks of life; it was an amazing experience. But that's the privilege I had of being early into showbiz.
Showbiz is just there to give people something to talk about.
I do not want my new works to be generated in a market or audience of any kind.
I want to give the audience what they want, but not at all costs. I want to leave them with something. I try to do that with every single movie I make.
You just have to do the thing that you feel is true to your vision, and then the audience will make the decision. But as soon as you feel like you're creating a product to just cater to what you think they want, it never works. It always feels phony. And the audience can tell immediately.
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