A Quote by Jay Chandrasekhar

Like hitting a baseball, comedy is very much about timing. To some degree, you either 'got it or you don't.' — © Jay Chandrasekhar
Like hitting a baseball, comedy is very much about timing. To some degree, you either 'got it or you don't.'
Comedy is very difficult. You've got to have a perfect sense of timing.
My baseball career ended in college.I played on the freshman team, but was becoming more drawn to intellectualism than athleticism, and so I gave up baseball, and it was perfect timing because baseball was going to give up me very soon.
You know, in college, I never got either degree, but I was a double-major in Computer Science and English. And English at Berkeley, where I went to school, is very much creatively-driven. Basically, the entire bachelor's degree in English is all about bullshitting. And Computer Science, which was my other major, was exactly the opposite of that. You had to know what you were doing, and you had to know what you were talking about.
Hitting a baseball well, as in cricket, is a very rare skill. One of most difficult things to do in the world to do, hitting a ball coming at you at ninety miles an hour with a round bat. Wonderful to watch.
Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.
Hitting is timing. Pitching is upsetting timing.
As a woman, she [Penelope Cruz] obviously has changed as she has become an adult. But, as an actress, I actually might say that she has not changed that much. And she has something great, especially in comedy, and she hasn't been exploited as much as she could be in comedy, but particularly in that mix between comedy and drama. She's got a very special quality about her. You can place her in very extreme situations, especially very painful situations, in terms of how her character interprets it. And sometimes, the deeper and more human that pain is, the better she is at it.
With comedy it's all about timing and presence on screen, as the words are there but you have to say them right and the right timing.
Being on 'The Office' prepared me for drama. Comedy got me ready, but once you get down to it, they're two sides of the same thing. I mean, the delivery has to be different - in drama, there's more time to breathe, and comedy's all about hitting the joke.
The buzzer timing is so important and when you get into a rhythm like that - to go back to baseball you'll hear hitters on a hot streak say that the ball looks like a beach ball -and when you have the timing on the buzzer and you're just getting in whenever you want, that seems to sort of snowball.
Comedy doesn't really matter that much; I know that. I treat it like an adult - I don't treat it like a child or a god, which some people do. This might just be in America, but 'stand-up comedy' is something very particular that I don't particularly relate to.
I got a degree in sociology, didn't read much fiction in college, and I was a pretty political, left-wing type of guy. I wanted to do some kind of work in social change and make things better for the poor man, and I was very romantic and passionate about it.
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
I've got to tell you right out of the chute, Ryan Howard, to me, is very interested in my input in his hitting. To me that makes me really feel good. We've chatted over the years about hitting.
I'd done some acting in high school. Then I went to Kenyon College and got thrown in jail and kicked off the football team. Since I was determined not to study very much, I majored in theater the last two years. Got my degree in speech; they didn't actually have a degree in theater. I graduated at two o'clock in the afternoon, and at three-thirty I was on the train for Williams Bay, Wisconsin, for summer stock, and then I did winter stock.
I am happy with the way I hit the ball. There is a certain element of power into it but not completely. It is like 80 per cent timing and 20 per cent power. Why do I need power hitting when I can clear the ropes with timing?
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