A Quote by Jay Chandrasekhar

I did a lot of standup from ages 19 to 24 but then stopped to focus on sketch with Broken Lizard. — © Jay Chandrasekhar
I did a lot of standup from ages 19 to 24 but then stopped to focus on sketch with Broken Lizard.
I love doing different things where, for a little while, I can focus on standup then sketch writing, then performing, then directing a video. That, to me, is stimulating.
I feel like most standup comedians do it the way I did it, where you just go to open mics and cut your teeth. Sketch and improv - they take a lot of classes. It's not unusual, the way I did it. It's just that, with standup, no one knows how to start because there's no book for it; there's no place you can really go.
Young women who come to Rise every weekend range from ages 15-19 years if they're in school and 19-24 years if they're out of school. These empowered young women talk about protecting themselves, their friends and communities and how they can educate people to help break the stigma surrounding AIDS.
There's a focus that hasn't been there for ages and ages and some American bands are sounding quite English like they did in the late 70s and early 80s.
I did a capella for a year at boarding school and then I stopped because at Yale, I think they really focus more on singing than having a beat behind them. So I just did my cello thing.
I was just trying to blend the standup that I do almost with like the visual sketch stuff that I did on "Saturday Night Live." And so in terms of how elastic in the world is, we'll see what we can get away with [in John Mulaney show].
I'm a standup comedian who gets to act. I'm never going to not do standup. I love doing it and when I go through periods where I'm doing a lot of acting work, I still do standup.
I did some acting in college. But then everything stopped when I was a junior, in the fall of 2001, when I started becoming religious. Once I became a full-on Hasidic, I stopped everything. I stopped music. I stopped acting.
I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways, not just sketch, not just standup, not just characters, all of those things.
I'm more of a sketch guy than a standup.
About 60% of the people stopped when we had 24 jams on display and then at the times when we had 6 different flavors of jam out on display only 40% of the people actually stopped, so more people were clearly attracted to the larger varieties of options, but then when it came down to buying, so the second thing we looked at is in what case were people more likely to buy a jar of jam. What we found was that of the people who stopped when there were 24 different flavors of jam out on display only 3% of them actually bought a jar of jam whereas of the people who stopped when there were 6 different flavors of jam 30% of them actually bought a jar of jam.
We come from a live background of sketch improv and standup.
I did standup for a lot of years, too, but when you come out as a standup, you get the feeling from a crowd - it's a kind of a 'make me laugh' attitude. But when you come out as an improvisor, they realize that they're suggesting everything you do. So they're already invested in the scene, and they actually want it to work.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
I don't do much public speaking. I did a lot of stuff for Bones, and then ended up having said yes to a lot of things that kept me on the road for a while for that, but then I pretty much stopped. I'm touring for this book, but when the tour is done, that'll be the end of it.
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