A Quote by Jay Chandrasekhar

A lot of filmmaking is just sort of slowed down by lawyers who feel they're more important than the filmmakers. — © Jay Chandrasekhar
A lot of filmmaking is just sort of slowed down by lawyers who feel they're more important than the filmmakers.
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
I just feel like there's a lot of things more important than just basketball, and I love basketball. It's what I want to do for the longest time possible. It's what I eat, it's what I sleep about, it's what I breathe, it's in my lifestyle. I just really feel like there's more important things than just putting the ball in the hoop.
Once, I was followed by a car when I was driving. Every time I sped up, the car sped up, and when I slowed down, it slowed down. Eventually, I stopped, got out and screamed, 'What do you want?' He said, 'I just wanted to give you some flowers because I'm such a fan.' I felt awful. He was just being kind.
If there was some sort of mathematical equation for beauty, I don’t know if I would be the algorithm. I’m not a supermodel. That’s not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what’s happening on the outside.
The ordinary man is living a very abnormal life, because his values are upside down. Money is more important than meditation; logic is more important than love; mind is more important than heart; power over others is more important than power over one's own being. Mundane things are more important than finding some treasures which death cannot destroy.
How I'm portrayed in films has more to do with the filmmaking and what they need in the story than anything else. I'm the same person I've always been, I just get used in different ways according to the filmmakers' needs - which is fine with me; it makes for great films.
If there was some sort of mathematical equation for beauty, I don't know if I would be the algorithm. I've always been OK with that. I'm not a supermodel. That's not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what's happening on the outside.
Why are scientists now using lawyers in laboratory experiments instead of rats? Three reasons: (1) lawyers are more plentiful than rats, (2) there is no danger the scientists will become attached to the lawyers, and (3) there are some things rats just won't do.
We were lucky if we got two takes out of a scene in the Rock 'N' Roll High School. But the Ramones did get a lot of material cut out. I think Marky Ramone calls Mr. McGree "Mr. McGlube." But that was sort of endearing and charming, and made you just love the Ramones even more. Sometimes those flubs work in favor of the filmmakers. They just couldn't get out more than one sentence in a row. It was just kind of weird. I think they were just nervous.
I'm influenced by a lot of filmmakers; I like English filmmakers because I feel a kin to them.
The amazing fact that one person can make his own film - I think animation is somewhat unique in that respect. I don't need to deal with lawyers. I don't need to deal with corporations. I don't need to deal with executives or agents or any of that. I can just sit at home and make a feature film. That's a wonderful experience. Each film I make gets more popular, more press and makes more money. So it's amazing that I've survived and actually prospered doing that sort of homegrown, cottage-industry filmmaking.
It's really interesting to observe each filmmaker's approach to filmmaking and I feel very fortunate to have worked with a lot of really interesting filmmakers and they all approach their job in unique ways.
The important thing to me is that I'm not driven by people's praise and I'm not slowed down by people's criticism. I'm just trying to work at the highest level I can.
The game has slowed down for me. It's so much easier than it was. I feel like I see things better, and I can take advantage of what I see.
When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.
An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.
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