There was a point when dancing to music became cheesy after the boy band era of NSync and Backstreet Boys, but there were always those who craved that kind of visual satisfaction. K-Pop really filled that void, because it's so geared to spectacle.
I think that breaking into the mainstream - it was just the right cycle of music for us in Blink-182. People were kind of over the boy-band, pop-princess, manufactured sensibility, and were excited for guitars and angst and energy and enthusiasm, which is our thing.
K-pop is a weird term because K-pop has everything - rap records - it's very pop-sounding; there are really boy-band-sounding records.
My dad was a huge country music fan, but he also had a band and he sang. So he'd listen to a lot of music and the songs that he'd learn for the band were more from the male artists. So my earliest country memories were Waylon Jennings, Conway Twitty, George Jones, Johnny Paycheck even.
I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.
Everyone we knew was forming a band. Boy George, Wham! Sade. But it wasn't a big deal, they were our friends. It wasn't like we were hanging out with pop stars.
We are not a boy band in the traditional sense. We don't dance or have synchronized moves. We are a pop-rock band.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
I was into all kinds of music as a teen - country music, because my dad was in a band that played country, and whatever my sister and brother were into.
We were so influenced not only by country music but by the rock bands of the '80s. Our focus was to bring in something different. Country music already had a George Strait and Alabama. We wanted to put some pop music in our show.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
My faith plays a big part in who I am: a Christian guy playing pop-rock music. I'm in a pop-rock band, not a Christian band.
I think people who just know me from my band think I don't like pop music. The truth is I love pop music.