A Quote by Jay DeMarcus

We were just hoping 'Prayin' for Daylight' wasn't a complete flop. Selling a million records wasn't even in our wildest thoughts. — © Jay DeMarcus
We were just hoping 'Prayin' for Daylight' wasn't a complete flop. Selling a million records wasn't even in our wildest thoughts.
For us, selling a million records in 2005 is the equivalent of selling 2 to 3 million records (five years ago). Rock records aren't flying off the shelves like they used to. Hip-hop and pop are so huge. (But) everything's on the upswing for us.
Well, the album 'Intuition' is out and just went platinum officially. So I think to have the music doing what it's doing right now, man, it's the ultimate. Nobody is really selling records out there but we are at a million records and we dropped it at Christmas, so we are just trying to get that thing to like two million, you know.
I don't sell millions of records. As a matter of fact, I'm not even interested in selling millions of records. I enjoy MCing. I make a decent amount of money. I can feed my kids. I keep a roof over my head. I don't have to sell a million records to maintain my lifestyle.
There are a lot of musicians who are still desperately trying to pretend that it's 1998 and by having a huge marketing campaign, they somehow believe that they can sell 10 million records. That's delusional. No one sells 10 million records. The days of musicians getting rich off of selling records are done.
I would sell 2 million records, a million went to teenagers and a million went to the adults. So, when The Beatles became so popular, I lost a million to the teenagers, but I was still selling a million to the adults.
Nowadays, you have to sell, like, half a million or a million records just to break even.
With Celine Dion, we were selling 25 million records a pop. 'Pop' stands for 'popular.' It means we're plugging into the masses.
I'm surprised at the loyalty of the country music fan. People that started out with us at 'Prayin' for Daylight' still come to multiple shows a year.
Even though we were selling more records than a lot of pop acts, we were being treated like the redheaded stepchildren.
It's a blessing and a curse when your first big public album does so well. 'Twentysomething' sold four million copies - I think we were hoping to sell 80,000. And it's still selling. In some ways, you'll always be defined by that.
Selling a million records used to be a big deal. I guess it's not anymore.
I want to be successful. Not just money. Just making a successful record and a successful show... I could feel successful without selling a million records.
When I started playing music, people weren't selling 5 million records. That was not the standard; that was not the focus.
I wanted to sell a million records, and I sold a million records. I wanted to go platinum; I went platinum. I've been working nonstop since I was 15. I don't even know how to chill out.
Bands like - even Kiss to a degree - bands like Kiss and Motley, Ratt, Poison, Bon Jovi - I just think the days of those bands going out and selling ten or twelve, fifteen million records like they used to do back in the day, it's not happening.
There's a property in Panama where Trump has collected somewhere around $30 million just from selling his name to this property - it's somewhere between $30 million and $50 million. It would be so easy for a developer to slap on an extra $6 million to a Trump licensing deal and have that be a backdoor bribe. Who are we to say what that is worth? It's so ephemeral. And this is the appeal of selling something as ephemeral as a brand name, is that it can be inflated beyond all reason.
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