A Quote by Jay DeMarcus
I think, as long as people are doing their craft at a high level, I'm going to have respect for it and find something that appeals to me.
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I have a great deal of respect for the craft, I don't know how much respect it has for me. But it's a precision process. Doing it on stage would be, I think, terrifying. Doing it on film has its own difficulties, because film is not conducive to spontaneity. You might have a run through and get a few chuckles at eight o'clock in the morning, but you don't keep laughing at the same thing all day long.
I just want to remain relevant and remain performing at a high level, which I think I do night in and night out. As long as I can do that and I enjoy doing what I'm doing, I'm going to keep on doing it.
Many chefs of a certain caliber do not see me as a chef. I don't have a restaurant. They see me as a TV food personality, not a chef. I've gotten respect, trust me, they respect me, but I think that I can't hit that particular level of respect from them until I have a successful Vegas restaurant that not only makes money but creates unbelievable food and a fabulous experience. I don't think people think I can cook, and they don't think I know what the hell I'm doing.
If I'm given the opportunity of writing, directing and acting in the same film I would love to do it again. It's something I don't think that anyone else is doing in the country at this level... not many people are doing it in the world. I think if you check that out and find it's quite accurate, there's only a handful of people that actually are doing it.
Maybe because we're women, we have a very high respect level for each other. And when you do have ownership, you're going to make it the best it can be. And I think that's a really - although subtle - very important point in - when you're doing anything creative.
We think craft is important, and the irony has always been that horror may be disregarded by critics, but often they are the best-made movies you're going to find in terms of craft. You can't scare people if they see the seams.
The high-flying rhetoric of 'Making America Great Again' frankly appeals to me. It appeals to many people. But you've got to back that up with substance, and you've got to quit offending people who may not agree with you.
I am really inspired by writers, and weirdly - respect music journalists, which I think makes me the exception amongst most musicians. I think it's a craft. I think it's been really neglected - sadly. I think about the days of the great legendary rock critics. Who's going to become that when magazines and newspapers don't pay anyone properly or don't seem to respect the history or research that is required?
You never make all things for all people and can't always pander to the broadest denominator. I keep an eye toward doing the themes that interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.
I always said I wanted to finish my career back at Ajax, but I didn't think I was going to play for so long at such a high level, so that's not going to happen now.
No matter what you're doing. I feel that everyone has something different that moves them or that appeals to them. Maybe something in your family or maybe something in your life that happened that really pushes you for a specific cause - as long as there is something that you're doing.
I jumped horses over big dangerous fences in competition. And got very, very good at it, at quite a high level. And I realized long since that, yeah, it's the same thing that appeals to me about it. You can't think about anything else, in either case; jumping horses in competition, show jumping, or flying an airplane, for whatever purpose.
I think that in an Internet age, content is content. As long as you can stand up on the merits of what you're doing right at that moment and aren't just relying on your success in doing something else, it's all good; people will respect you.
I want to keep doing as much work as I can, and I want to keep the level high. I'm wondering if something is going to happen to me to screw it up.
I only collaborate with the people I rock with in life, period. I rock with people where I really respect their craft and respect what they're doing. That's what collaboration should start from.
I don't necessarily want to direct because it's too much work and I don't have the attention span to stay with it that long. But I think getting everyone together on something that appeals to me and developing the material is something that I like to do.
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