A Quote by Jay DeMarcus

We write songs that hit different people at different ages where they live. — © Jay DeMarcus
We write songs that hit different people at different ages where they live.
It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
As much as I'm drawn to writing about teenage girls, I like the idea of having the freedom to branch out and write about different ages, for different ages.
I do enjoy having researchers and writers around me because I am getting a lot of different influences now from the opposite sex, different races, people of different ages, who are helping write the routines. So I am seeing things from other people's perspectives, which I never really had to do before.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
I quite like the idea - just as an abstract idea - of 12 people's collective life experience and wisdom being this formidable thing. People say juries can be led - I think 12 people from different backgrounds, different races, different genders, different ages, it's hard to hoodwink.
There are definitely some songs you sing and you just know there's something about it - there's kind of a touch on it that's different. But there are no rules to that. Every time, it's a surprise and it's humbling to hear that people are singing the songs in different places and different parts of the world. We're always amazed by that.
I'm a storyteller, I'm not a literary writer, and I don't want to be a literary writer. People say to me, "Oh, when are you going to write something different?" What? I don't want to write anything different. I'm writing relationships between people, all different colors, all different sizes, all different sexual orientations, and that's what I want to do.
I would say the songs that have different lyrics. I always write the music first, and there's a couple of songs on this box set that have different lyrics from what ended up on the final recording.
The most incredible thing about playing the songs live for people - looking out to the crowd and seeing the different reactions and the different heart-strings and the things that people are relating to that mean something to them, that's crazy.
I think we need to develop the courage to write from the viewpoint of people who may seem quite different from ourselves, who might have a different sexual orientation or a different race or a different ethnicity.
I could write a dozen different songs with the same three or four chords, but they'd all be entirely different.
Seriously, I lived in America for a while, I've been in lots of different bands, I write songs for all sorts of different artists.
You have to have a plan. Everything has to be planned. For me, I start with the title of my album, before I even start with the songs. I write down different things that I want album to say, and then the songs come from the different words.
It's amazing, seeing people of all different ages singing lyrics to songs we wrote when we were so young and thought we knew everything.
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