A Quote by Jay Ellis

A lot of what you're seeing these characters go through is something that either is a story one of the actors told in the writers' room or one of the writers themselves told in the writers' room.
Lots of shows are written completely in the writer's room. And I wouldn't say 'The Walking Dead' is that way. There are three levels to it. There's us in the room. The writers going off by themselves. And me working with the writers on a finished script.
Make room, Roman writers, make room for Greek writers; something greater than the Iliad is born.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
In television writing, even if you're running the writers room, it's a writers room.
I don't think that I would go into the writers' room because they work really hard and I feel like I'm already working really hard to shoot my part of the show. Also, I haven't written in a writers' room before, it's kinda intimidating to walk in there.
We have a full writers' room, and with something like 'MyMusic,' we've scripted it out with professional writers. There is some very basic improv from the actors, but everything is very to the letter, so it's easy to edit down to an episode. There are fun little things an actor might throw in there.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
When you're doing a pilot, you're doing it in this bubble that almost works against the creative impulse. You don't have time to get to know the actors first, and you have three writers, as opposed to a room full of writers.
I'm consistently blown away by 'Mad Men.' Having spent so much time in the writers' room, I'm cursed in that anytime I watch something, I'm always calculating what the writers are up to.
My first time up to bat as a showrunner, what I did was hire an all-Latinx writers room. And it's a diverse Latinx writers room - we have an Afro-Dominican and Texicans and Chileans. It's diverse within its Latinidad.
It takes awhile for writers to get to know actors rhythms, not just as actors, but what they bring to the characters. I think it takes a few episodes for the writing room to catch up to the actors and vice versa.
The muscles that writers need for film are very different from TV muscles. Now, when I hire the writers and put the writers' room together, I know where their muscles need to be.
Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.
They're fancy talkers about themselves, writers. If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
Don't let your characters tell you what to do. They can be pushy. Some writers say that they create characters and then just sort of follow them around through the narrative. I think that these writers are out of their minds.
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
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