A Quote by Jay Ellis
It's like one of the best things that can ever happen to you as an actor: to have your story reach people, even if they don't look like you and even though they may not be able to identify with a black male; they can still identify with what's happening to you.
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My mom is Jamaican and Chinese, and my dad is Polish and African American, so I'm pretty mixed. My nickname in high school was United Nations. I was fine with it, even though I identify as a black woman. People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, "But you're not actually black. You're black, but you're not black black, because your eyes are green." I'm like, "What? No, no, I'm definitely black." Even some of my closest friends have said that. It's been a bit touchy for me.
You can write the best book you can, and that might still not be enough. Appeal isn't something that most writers can't strive for or identify. It's something even the best agents and editors can't always identify.
I get a lot of mail from men who really identify with Stuart, you know, Sparrow's boyfriend. I love that. Even though I used to say I wanted men to read the strip even though there weren't any men in it, so they'd be forced to identify with the women.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation. This is what I try to tell my students: this is one great thing that literature can do - it can make us identify with situations and people far away.
I identify with my body, but I don't identify it as male or female; I just identify it as a vehicle to help me bring my awareness around the world.
I'm lucky because I have so many clashing cultural, racial things going on: black, Jewish, Irish, Portuguese, Cherokee. I can float and be part of any community I want. The thing is, I do identify with being black, and if people don't identify me that way that's their issue. I’m happy to challenge people's understanding of what it looks like to be biracial, because guess what? In the next 50 years, people will start looking more and more like me.
If you look at the public opinion polls even, support for all the issues, people who self-identify as feminists are as least as many as those who self-identify as Republicans.
Obviously Feministing is kind of a women's space in a certain way, even though we have a lot of male readership and people who don't identify as women.
If you don't know about the 'black male code,' you should. It's something black boys learn early, even before adolescence. It goes, in part, like this: Even though you're not a criminal, some people assume you are, especially if you're wearing certain clothes. Never argue with the police, but protect your dignity and take pride in humility.
Strange as it may seem, I still hope for the best, even though the best, like an interesting piece of mail, so rarely arrives, and even when it does it can be lost so easily.
Even the older generation are able to understand things when they see it on TV and identify with it. A lot of people are able to empathise with the characters. They can also distinguish between good and bad.
Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation.
I identify as an agent when I'm agenting, and I identify as an author when I'm writing. I expect both those things to be true for as long as I'm able to do them.
Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.
I'm black and white, so either, sometimes, you're not considered by the breakdown of the script: you're not 'black enough' for this role. Or you're not 'white enough' for this role. Or, like, looking up to people, who do I identify with? And not seeing Barbies that maybe look like me.
Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.
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