A Quote by Jay Ellis
I run the material, always with two people, sometimes three. We all see things so differently, so to get a couple of people's perspectives on what I'm doing and the material itself is insanely helpful for honing in on what to take into the audition room.
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Something like going to get the newspaper can increase your writing efficiency by taking you away from the material. When I'm doing other things, writing stuff will be swirling around in my head, and sometimes I'll see a new way into the material.
The material I did was lasting material. A lot of people thought I wasn't doing anything, but I was in the studio. The biggest factor is the material you choose. You hunt, you cut.
I've never valued material things. I've always been more attached to people. The pursuit of material things takes time, and I realized my time is very valuable especially during the season. My time with my kids, what I do to take care of my body, and of course any intellectual pursuits I may have on the side. Those are all things that I value.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
I had to leave some traces. In the beginning, I would give complete instructions to the photographer. In the '70s, people would come to photograph your work and you would just end up with this crazy material that had nothing to do with your work; maybe I'd pick up two or three photographs that were the closest to the idea. This is why when you look at the '70s, you see much less documentation and really bad material. The material will become misleading to what the piece was.
People have had to make up for their spiritual impoverishment by accumulating material things. When spiritual blessings come, material blessings seem unimportant. As long as we desire material things this is all we receive, and we remain spiritually impoverished.
I like auditioning. I like working on material. I just love working. I like the chance to work on material. Sometimes it helps to not be going into a room cold and to know people. I've spent a lot of years getting to know people in the business, and that really helps. It depends. You can have some pretty terrible auditions.
We must remember that everything depends on how we use a material, not on the material itself... New materials are not necessarily superior. Each material is only what we make it.
Most of what we take as being important is not material, whether it's music or feelings or love. They're things we can't really see or touch. They're not material, but they're vitally important to us.
It's always this grand search in the industry to find good material. Whenever there is good material, they all jump on it, and it's like a food fight to get it made. That's why so many things take years and years to develop because it all shows up on screen.
Fans are people, and people sometimes get mad at air. I know I do. So I have people huff at me because I'm not doing what they want, but I also have people get mad because I use profanity, or because I exist in material space, or because I was at Disneyland when they thought I should be writing.
Material goods consist of useful material things, and of all rights to hold, or use, or derive benefits from material things, or to receive them at a future time.
I like the chance to work on material. Sometimes it helps to not be going into a room cold and to know people.
If you put up a blog, people can cut out the middle man and get material to you. Which is really helpful because a lot of time there's really cool stuff out there that we just don't see. Because, y'know, the agent is acting in our best interest, but it does sometimes prevent some of the good stuff from getting through.
I just really try to stay focused on what the material is wanting to do. My basic assumption is that no one will ever listen to it anyway. It's fidelity to the material. That's my contract: It's me and the material. And if it connects with other people, I'm thrilled.
Comedy can't live within my second-guesses, so I started doing new material. Sometimes I bombed. But you have to be willing to if you want to move forward and stay vital. It's like people who take pride in not having a computer. I'm all, "Great, don't learn new things! Your brain is full!"
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