A Quote by Jay Hernandez
Some of the material out there - I don't want to say that it's all bad - but there's a lot of bad stuff out there. You just continue reading scripts, and eventually you find something you connect with.
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There's a lot of good fans out there, but there's also a lot of bad - I don't want to say bad people, but a lot of people who just want to try to get on your nerves and stuff like that, man.
In TV, I did scripts that were not well-written, and I learned how to make bad material okay. That's a hard thing to do; you can learn bad habits, but you can also learn to find something in anything.
I read a lot of bad scripts and weird television shows. I don't know. There's a lot of work out there I was reading at 14 years old and noticing this lack of thought. And then, reading 'Afterschool,' that's full of thought. It was bursting with ideas.
Actually, I'm reading a lot of my scripts. When I'm working on something, it's hard to find time. You're always prepping new material. You don't want to be buried in a book. It splits your focus a little bit.
I just want to say we support the troops and we love every one of them. Even if they...I know a lot of my friends that are in the military that they don't agree with...Some of them are total, total liberals or this or that, whatever they are and I just want to say that we love all the troops. We don't care what they believe in, they're defending our country and we love them for that. And they're the biggest bad assses...in the world and we just want to thank you. We hope they enjoy the music and we'll keep pumping it out and just keep staying bad asses!
I go through a lot of bad stuff, because most of the stuff that's written is pretty bad. But occasionally something comes along that's good, and I want to do it.
When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.
For me, there's a bad year of getting started on something. You write bad stuff and it's awkward to throw it out, and you wait around to get some good ideas that maybe do come or don't come. Until eventually you get the voice and autonomy of the characters, the characters have personality, and they sort of pick up the weight and put it on their shoulders. That's when it becomes a little more fun.
There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.
When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.
Add in the good stuff - eventually it will crowd out the bad stuff.
People always ask me
"Son what does it take
To reach out and touch your dreams?"
To them I always say
Are you hungry?
Are you thirsty?
Is it a fire that burns you up inside?
How bad do you want it?
How bad do you need it?
Are you eating, sleeping, dreaming
With that one thing on your mind?
How bad do you want it?
How bad do you need it?
Cause if you want it all
You've got to lay it all out on the line.
I would argue that stupidity is born out of bad reading, bad teaching and bad thinking!
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book.
I really don't want somebody writing something positive about me if they don't believe in it. I'd rather somebody write something real mean. I like reading bad stuff, it gets me excited. In fact, the only reviews I keep are the bad ones 'cause I think they're the cool ones.
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