A Quote by Jay IDK
I try to take the foundations of what music is and add some type of twist to it.
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The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.
I try not to focus on taking things away; I try to add in nutrient-rich foods into the things I eat. I don't say, 'I'm going to take out the fat.' I say, 'What can I add in to make my muscles work more? What can I add into this that will give me the vitamins I need?' It feels luxurious!
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
When I listen to music, there's usually some aspect of that music that I like, and that's what I take and try to bring into my own music. Bringing in other musicians to collaborate with is a good way for me to test out new ways or make music that I might have not discovered on my own.
I've seen such great material, and now I'm more picky with the type of jobs that I take because it's gotta be there. There's an old theater saying: 'If it's not on the page, it's not on the stage'... You gotta have some type of standards as far as the jobs that you take and the roles that you take on.
It is the responsibility of music composers to add some classical music elements into their songs to make the music genre popular.
I don't believe in putting in music as a band aid to get you over some rough parts or bad film making. If it's there it's got to add to it or take it to another level.
I use the music almost as a compass in some kind of quasi-romantic way. I try and go to places that I'm intrigued by, and I take this music with me, using my name at the front.
I would like to involve myself in some black music. I would like to do some blues and some gospel music. I want to try stuff from other genres and try to widen my musical base.
I try to keep it real simple. I try not to add a lot of frosting on what I'm doing. Just take the swing and don't muscle the swing, because if you get in the hitting position and you take the swing, I generate a lot more bat speed, and that works for me.
Don't be afraid to take liberties with this music. Try and put some of yourself into it.
About half of all design patterns out there [...] appear to be ways take perfectly natural design ideas and twist them to fit into someones static type system: recipes for pounding square pegs into round holes
I try to take normal things - whether it's a serious subject or something as obscure as a piece of toast - and put a very weird twist on them.
I'm not really the quiet type, although some people think I am. But I'm the rebel type in the sense that I don't think I'm like everyone else. I try to be an individual.
For me, style is something that I've always loved. It's more than just, "Oh I make this type of music, so I should dress this type of way." But it's very important. On the other hand, if I was on stage in a hoodie and some baggy jeans, it wouldn't give off the same feeling. People appreciate the music, but people want to see the whole visual thing.
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