A Quote by Jay IDK
I went to jail at 17. While I was there, I discovered that I could write. Once I started making some songs, other inmates wanted to know a little bit more about what I was doing, and they asked me to rap for them. They really liked it, and I made it a goal to come out and try to make something out of the music.
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I love to make music, and if I could do this forever I'd be happy. But if I can help any other kid out there or anyone - and show them that "life throws weird stuff at you all the time. It's OK to get down, but it's bringing yourself back from that that's really going to make you who you are," if I can help anyone out there feel a little bit less alone or make them feel like their voice is being heard through me or my music, that is the goal.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
As a youngster when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing. Every single one of my songs is about something very personal to me and I could tell anyone what it's about, each song. Like a diary, basically.
I started quite late. I only discovered that I could write a song when I was, like, 17... some musicians, they're starting out, writing songs when they're, like, 12, 13. I never thought I would go into songwriting when I was that young.
Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.
Everyone was saved once by music. So I decided to REALLY work on my songs and not just "play" - to make something really good, more "professional." Something which makes you feel better; a song who says: "I know how much you're sad, and you're not alone, this is a song made for you." I really wanted to help with my music.
Many years ago I found out something about hamburgers that really grossed me out. You may not know this, so I hope I don’t make you sick, but it turns out hamburgers are actually made out of dead cows. I am not making this up. Needless to say, as soon as I discovered that, I gave up meat entirely.
When I think about the things that cause me pain or the things that cause me trouble or frustration, it's not people asking for my autograph; it's people breaking my heart. That happens to you whether you've sold millions of records or whether you're taking classes at college. You're going to believe people when they say that they love you. I don't leave out details when I write songs about that. I try to make my songs as personal as possible because, ultimately, my music started out as just trying to turn my diary entries into something that was a piece of music. And that has never changed.
Somebody at one of these places asked me: "What do you do? How do you write, create?" You don't, I told them. You "don't try". That's very important: not to try, either for Cadillacs, creation or immortality. You wait, and if nothing happens, you wait some more. It's like a bug high on the wall. You wait for it to come to you. When it gets close enough you reach out, slap out and kill it. Or if you like it's looks, you make a pet out of it.
I made songs really for myself - I didn't ever expect to put it out there and make this a record for mass consumption, this was really just a way for me to get out of my own situation and reclaim that part of myself - so when making the songs, I wanted a testament to what I'd gone through, I wanted a snapshot of those moments.
Belly made me aware that you could write songs that were mysterious or vulnerable. Their guitar-led music was in some ways very simple, the opposite of the pop music I was brought up with, like Michael Jackson. It made me realise music was something that you could be part of, make in your room.
I've always been making stuff. I had a very free upbringing, and very encouraging parents. I just found that it was a really cool thing, to write songs. And then, I think it was probably about when I was about 19 years old, people started telling me I should try to do this, get the music out.
The first album was more born from busking - they were the 'me-and-my-guitar' songs. Going out on the road and opening for big acts changes you. You look out at those audiences and start to think, 'OK, I need to write some music that's a little bit bigger.'
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