A Quote by Jay Leno

You know who must be very secure in their masculinity? Male ladybugs. — © Jay Leno
You know who must be very secure in their masculinity? Male ladybugs.
The bonding of women that is woman-loving, or Gyn/affection, is very different from male bonding. Male bonding has been the glue of male dominance. It has been based upon recognition of the difference men see between themselves and women, and is a form of the behaviour, masculinity, that creates and maintains male power… Male comradeship/bonding depends upon energy drained from women.
Masculinity cannot exist without femininity. On its own, masculinity has no meaning, because it is but one half of a set of power relations. Masculinity pertains to male dominance as femininity pertains to female subordination.
As a guy develops and practices his masculinity, he is accompanied by an invisible male chorus of all the other guys, who hiss orcheer as he attempts to approximate the masculine ideal, who push him to sacrifice more of his humanity for the sake of his masculinity, and who ridicule him when he holds back. The chorus is made up of all the guy's comrades and rivals, his buddies and bosses, his male ancestors and his male cultural heroes--and above all, his father, who may have been a real person in his life, or may have existed only as the myth of the man who got away.
Or perhaps you notice a congregation of ladybugs on a rose stalk. Don't invoke the old nursery saying and ask them to fly away home. Their house is not on fire. Your roses are, with aphids, which the ladybugs are feeding on - and you can bless yourself that they have come to your rescue.
I think male authors who want to try to tackle these issues of representation of women can generally do a better job if they try to question traditional notions of masculinity and the sort of toxic nature of traditional ways of presenting masculinity.
Congress must take responsibility for a new positive direction - an innovative agenda that will lead to a more secure America. Secure communities, secure economies, and a secure quality of life.
The more people, as you know, are able to be on whatever spectrum of femininity and masculinity they are on at that moment, that opens the door for women to not have to be the opposite of what the supposed traditional male is.
I'm trying to illuminate how perilously narrow we draw the concepts of masculinity and sexuality in our male culture - particularly in black male culture - and to help people to see that there's room enough for everyone.
I was surrounded by a lot of male writers of color who have this incredibly bizarre relationship to masculinity. It's like we were all mega-nerds but you would never know that if you listened to the way they talk about themselves.
Masculinity is what you believe it to be. I think masculinity and femininity is something that's very old-fashioned. There's a whole new generation of people who aren't defined by their sex or race or who they like to sleep with.
Our ability to fall in love requires enough comfort with our masculinity to join it with someone's femininity and feel enhanced. .. . If our mother made us feel secure and proud in our masculinity, then we want to find that again in our wife. If we are really comfortable with our mother, we can even marry a woman who is a friend rather than an adversary, and form a true partnership.
To insult a friend implies that you respect his masculinity enough to know he can take it without acting like a crybaby. The swapping of insults, like the fighting between brothers, becomes the seal of the male bonding.
We're in a world where masculinity, especially with these big spectacle movies, is often pushed by rippling six packs and forcing an image down someone's throat trying to prove masculinity. Whereas I think true masculinity comes from having a strong sense of self.
I am very active on Twitter and one thing that keeps popping up is "How do I balance having a kid and writing?" And I know it should not be as aggravating, but I know no one ever asks a male writer that. Or, any male that.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
I think all of my male characters, I suppose, in all of my films, they're not necessarily the traditional version of masculinity.
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