A Quote by Jay Leno

President James Garfield could write in Latin with one hand while writing in Greek with the other. I would give my right arm to be ambidextrous. — © Jay Leno
President James Garfield could write in Latin with one hand while writing in Greek with the other. I would give my right arm to be ambidextrous.
I'd give my right arm to be ambidextrous.
About your writing with you left hand, are you ambidextrous, Mr. Ewell?" "I most positively am not, I can use one hand good as the other. One hand good as the other.
The real secret to my success was I could shoot with either hand. Ironically, I became ambidextrous as a direct result of breaking my right hand.
An acquaintance of mine, a notary by profession, who, by perpetual writing, began first to complain of an excessive wariness of his whole right arm which could be removed by no medicines, and which was at last succeeded by a perfect palsy of the whole arm. . . . He learned to write with his left hand, which was soon thereafter seized with the same disorder.
I am ambidextrous. I write with my right hand but played basketball in high school with my left.
Take the veto. Bush is the first president since James Garfield in 1881 not to veto a single bill. Garfield only had six months in office; Bush has had over four years.
Write. Start writing today. Start writing right now. Don’t write it right, just write it -and then make it right later. Give yourself the mental freedom to enjoy the process, because the process of writing is a long one. Be wary of “writing rules” and advice. Do it your way.
Pat Moynihan could write books with one hand and legislate with the other. I can't; I have a short attention span. The slightest distraction would take me away from writing.
In the early days of our marriage, Stephen could walk around Cambridge on my arm - a stick on one hand, leaning on me with the other. I carried a baby on one arm and Stephen on the other.
Ambidextrous, adj.: Able to pick with equal skill a right-hand pocket or a left.
Every writer writes in different ways, and so some write the music first, while others write the lyrics first, and some write while they are doing other things, and it is just nice to see how other writers are writing.
It's the side-by-side culture of the Talmud I like so much. 'On the one hand' and 'on the other hand' is frustrating for people seeking absolute faith, but for me it gives religion an ambidextrous quality that suits my temperament.
While we were promoting 'Wide Open Spaces,' we set aside time to write. We went on several writing retreats where nobody could get hold of us. It was the only way we could take a step back and reflect and write and be living a semi-normal life for a while.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
One that really caught me was Joe Morello. He was the first drummer I ever saw that could do a roll with one hand. He would turn his hand over and use his fingertips to get the stick bouncing. He could sit there with his right hand doing stuff on the cymbals and tom-toms while he was doing a roll with his left on the snare drum.
Until that moment, I hadn't realized that I embarked on the project of touring historic sites and monuments having to do with the assassinations of Lincoln, Garfield, and McKinley right around the time my country iffily went to war, which is to say right around the time my resentment of the current president cranked up into contempt. Not that I want the current president killed. Like that director, I will, for the record (and for the FBI agent assigned to read this and make sure I mean no harm — hello there), clearly state that while I am obsessed with death, I am against it.
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