A Quote by Jay London

I went to an audition the other day, they were casting 13 people to be clouds, 14 people showed up, it was overcast. — © Jay London
I went to an audition the other day, they were casting 13 people to be clouds, 14 people showed up, it was overcast.
The dawn is overcast, the morning lowers, And heavily in clouds brings on the day, The great, the important day, big with the fate Of Cato and of Rome.
In New York the other day, there was a pro-Martha Stewart rally. Only four people showed up ... and three of them were made out of crepe paper!
My parents were mourning the death of my sister. She was killed in a car accident before I was born, and I didn't know she existed until I was 13 or 14 years old. I knew I was growing up in a house where people were angry and sad.
When I was 10, 11, 12, 13, 14, I had so many people I looked up to and was so inspired by all these different people. It's cool to be in that position.
Until I was about 13, somehow I managed to assume that everyone reacted to everything just about as I did. I took it for granted that everyone shared my passion for overcast skies. It came as quite a shock when I discovered that there were actually people who preferred sunshine.
I never looked at magazines before I started modeling. I was 13 or 14, and none of my friends were into magazines. We were into the fashion of the day, though.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
But, yeah, it was just the regular audition process. There were a couple people telling me about it and that they were looking for the actors, but my manager is pretty good at sorting that out. And, (casting director) Rene Haynes cast me in Into the West, and she's always kept in touch and been a real big supporter of my career.
I got some pilot scripts and auditioned for a couple other ones, too. It was just a standard audition, where I kept going in to read and went up the ladder, in terms of people who you're performing for during those auditions. Each step of the way, I was happy with that level of audition.
Our mind is like a cloudy sky: in essence clear and pure, but overcast by clouds of delusions. Just as the thickest clouds can disperse, so, too, even the heaviest delusions can be removed from our mind.
Casting is very instinctual. I really like to meet people. To me, it's about their essence more than their audition.
That's why I kept going with my school - I wasn't talented. That's what's the difficulty - you want to define key talents when they are 12, 13 or 14? When I was that age I was nowhere near. People had given up on me.
I started playing music around 13 or 14, played jazz in high school, and played other stuff in college. After college, I tried to make it as a musician. I lived in a big squalid house full of dudes outside of Boston. We were all musicians. We built this studio in the basement and played there all hours of the day.
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