A Quote by Jay Maisel
It's always around. You just don't see it.
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I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."
I always imagined myself somehow as an electron around some atom, and you're just, like, bouncing around and spinning. There was a never-ending supply of places to go, people to see, things to do, and fitting it all in became kind of an art.
I just feel like a kid that has some money now, that can take care of my family... I think I'll always be a kid. I'm always messing around, always running around, always trying to have a good time.
If you open your eyes very wide and look around you carefully, you will always see a lighthouse which will lead you to the right path! Just watch around you carefully!
I've always seen this overlap between medieval warfare and heavy metal. You see heavy metal singers and they'll have like a brace around their arm and they'll be singing about Orcs. So let's just make a world where that all happens. That all gets put together, the heavy metal, and the rock, and the battling, actually does happen. Let's not flirt around with this let's just do it.
Nothing moves around, it just goes straight from the start to the end. The final draft on the final day, that's it, same for the novels. What I turn in is what you see. There are some exceptions, but almost always I can see exactly what it's going to be.
Have you ever noticed how grateful you are to see daylight again after coming through a long dark tunnel? Always try to see life around ya as if you'd just come out of a tunnel.
I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.
I love traveling around promoting different movies because I'm always looking at different places, and I always walk around to see the city.
I don't see [the jungle] so much erotic. I see it more full of obscenity. It's just - Nature here is vile and base. I wouldn't see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away. Of course, there's a lot of misery. But it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don't think they sing. They just screech in pain.
My mom always has this amazing ability to always see the best in a situation. In that moment [when finished 2nd in the 200 meter race in the 2008 Olympic games] I was just completely devastated. I mean, I had worked so hard; that was my opportunity. And she was just able to turn it around for me. She helped me to be able to see the other side of things and that this is not the end for me. She's just an amazing supporter and an encouraging person and she has a unique ability to do that. And so those are the kind of things she said to me in that moment and over the next four years. When things get tough, she's always been my strength.
People always think I'm this zany character. But I think I just see the funny side of life, I don't see the negative side, and I think that's a very good energy to be around.
I think people are just shocked to see me walking around. It's weird. When they see you on TV, they don't expect to see you in a store.
In poetry I can let the language go, allow an image that seems out of place to enter and see what happens, always listening to the music that's being created, just like the world around us, never predictable, always shifting and intertwining, reflecting and echoing itself.
I always stayed away from the studio environment as much as possible. But I just wanted to see if I could work in one. It's not easy. Just having an engineer's assistant around is enough for me to be uncomfortable. With more than one person there in the room, it feels strange.
When you think Tink, you should just think of me as that around-the-way girl - relatable and honest. Even in my lifestyle, my entire aura is real. I don't sugarcoat anything, whether I'm on stage or home in Chicago or just behind the scenes just chilling. I'm the same person you see on stage, always.
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