A Quote by Jay Maisel
Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.
Related Quotes
Time is the horizontal dimension of life, the surface layer of reality. Then there is the vertical dimension of depth, accessible only through the portal of the present moment.
Not only must you be an artist, must you be generous, and must you be able to see where you can help but you must also be aware. Aware of where your skills are welcomed.
Inspiration, it is well recognized, rarely comes unless an individual has immersed himself in the subject. He must have a rich background of knowledge and experience in it.
I wasn't very academically inclined, growing up as a child, and the only subject I was good at was English. I had a flair for it, since I came from a literary background.
Now, since the time of Newton there had been a debate about whether light was a wave - that is, a traveling disturbance in some background medium - or a particle, which travels regardless of the presence of a background medium. The observation of Maxwell that electromagnetic waves must exist and that their speed was identical to that of light ended the debate: light was an electromagnetic wave.
What we look for are people that are technically competent. You need a background in a scientific field, whether it's as a scientist, an engineer, medical doctor, or, you know, a person that's in the military with some kind of technical background.
To me, the contemporary novel suffers from a lack of sense of place - or spirit of place, if you will. It's not important to most writers, I must assume, or they try to research a given background on sabbatical. Not for me. I write about places I've lived long before I ever set pen to paper.
Right in the difficult we must have our joys, our happiness, our dreams: there against the depth of this background, they stand out, there for the first time we see how beautiful they are.
Jazz is not background music. You must concentrate in order to get the most out of it. You must absorb it.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
Were the succession of stars endless, then the background of the sky would present us an uniform luminosity, like that displayed by the Galaxy-since there could be absolutely no point, in all that background, at which would not exist a star. The only mode, therefore, in which, under such a state of affairs, we could comprehend the voids which our telescopes find in innumerable directions, would be by supposing the distance of the invisible background so immense that no ray from it has yet been able to reach us at all.
Who among us is so certain of our identity? Who hasn't been asked, 'What's your background?' and hesitated, even for a split second, to answer their inquisitor. Howard Jacobson's 'The Finkler Question' forces us to ask that of ourselves, and that's why it's a must read, no matter what your background.
Think about the photo before and after, never during. The secret is to take your time. You mustn't go too fast. The subject must forget about you. Then, however, you must be very quick.
We work in vertical and horizontal planes. We avoid depth characteristics as much as possible. This reduces the number of pictures in a five minute segment from 12,000 to 1,200. And the public likes the technique better.
The life of nature we must meet halfway; it is shy, withdrawn, and blends itself with a vast neutral background. We must be initiated; it is an order the secrets of which are well guarded.
It is because the cosmos is meaningless that we must secure our individual illusions of values, direction, and interest by upholding the artificial streams which give us such worlds of salutary illusion. That is - since nothing means anything in itself, we must preserve the proximate and arbitrary background which makes things around us seem as if they did mean something.
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