A Quote by Jay Maisel

You must not think of yourself as looking at the stage from the audience. You must think of it as theatre in the round and look at it from all sides. — © Jay Maisel
You must not think of yourself as looking at the stage from the audience. You must think of it as theatre in the round and look at it from all sides.
Just as the historian can teach no real history until he has cured his readers of the romantic delusion that the greatness of a queen consists in her being a pretty woman and having her head cut off, so the playwright of the first order can do nothing with his audience until he has cured them of looking at the stage through the keyhole, and sniffing round the theatre as prurient people sniff round the divorce court.
One misconception I think is wrong is that being a larger size means, somehow, that you're neglecting your body, or you don't look after yourself, or you don't love yourself enough to lose weight. We've been saturated with the idea that to be happy you must be thin, or to be healthy you must be thin.
D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
[Malipiero's advice to Casanova.] If you wish your audience to cry, you must shed tears yourself, but if you wish to make them laugh you must contrive to look as serious as a judge.
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
When I was eight, I went to the theatre, and I remember looking at the stage afterward and pointing and saying, 'I want to do that.' I don't think that's ever changed.
Whatever you habitually think yourself to be, that you are. You must form, now, a greater and better habit; you must form a conception of yourself as a being of limitless power, and habitually think that you are that being. It is the habitual, not the periodical thought that decides your destiny.
I have a problem with fashion magazines sometimes - they seem to have these dogmas or uniforms. 'This is the way you must look; this is this season's must-have.' I really resent the phrase 'must-have.' I prefer to decide for myself what I think is beautiful or fashionable.
Art is actually based on the notion that if you would really celebrate an idea or a principle, you must think, you must plan, you must put yourself completely in the state of devotion, and not simply give the first thing that comes to your head
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
You must think for yourself, what you must do. If someone tells you, then you are not trying. -An-mei
Self-reliance leads to intellectual independence. Each man must think for himself, must train the mind to think, must habituate the soul to observe and analyze.
In the theatre, because you're all looking at the same thing in the same space, consciousness is no longer individual. There is a unified consciousness. Until you look and project what is happening, it doesn't exist; the audience are the ones making the theatre, not the players.
... keep practicing. After a great deal of practice, we no longer think about all the necessary movements we must make; they become part of our existence. Before reaching that stage, however, you must practice and repeat. And if that's not enough, you must practice and repeat some more.
On one level, I must never lose touch with my audience. But I must, at some point, stop trying to get everybody to like me, and be true to the thing I think I need to say.
Whoever you are, be that person with all your might. Time goes by faster than we thought. It is a thief so quiet. You must let yourself be loved and you must love, parts of you that never loved must open and love. You must announce yourself in all particulars so you can have yourself.
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