A Quote by Jay Maisel

I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence. — © Jay Maisel
I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence.
I came to the plain fields of Ohio with pictures painted by Hollywood movies and the works of Tennessee Williams and Arthur Miller. None of them had much to say, if at all, about Dayton, Ohio.
I pay lots of homages. I wanted to pay tribute to a leading Iranian writer, Gholam - Hossein Sa'edi, who is buried in Paris - he is an Iranian Arthur Miller. He is of a similar stature, and his work is similar to that of Arthur Miller.
What does Macbeth want? What does Shakespeare want? What does Othello want? What does James want? What does Arthur Miller want when he wrote? Those things you incorporate and create in the character, and then you step back and you create it. It always must begin with the point of truth within yourself.
I thought I was taking pictures of things that I hated. But there was something about these pictures. They were unexpectedly, disconcertingly glorious.
Arthur Miller once payed me a great compliment saying that my plays were 'necessary.' I will go one step further and say that Arthur's plays are 'essential'
I have always thought of poetry as an act of celebration. Just by nature of writing a poem you are taking the time to dwell on whatever it is that you're writing about...you can be celebrating anger, you can be celebrating sorrow... you are spending the time to focus and observe and try to understand the various parts of being human.
When I met Miller, for me it wasn't a question of wanting to meet him because it was Arthur Miller; it was a kind of astonishment that I could meet someone who was so deeply embedded in the psyche of my artistic development.
I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.
My taking pictures means I'm taking a series of pictures which become an essay and then get extended into a book. That's what's exciting, to take an idea and work it through to completion.
And that desire-the strong desire to take pictures-is important. It borders on a need, based on a habit: the habit of seeing. Whether working or not, photographers are looking, seeing, and thinking about what they see, a habit that is both a pleasure and a problem, for we seldom capture in a single photograph the full expression of what we see and feel. It is the hope that we might express ourselves fully-and the evidence that other photographers have done so-that keep us taking pictures.
So this is it," said Arthur, "We are going to die." "Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried. "What? Where?" cried Arthur, twisting round. "No, I was only fooling," said Ford, "we are going to die after all.
Do you suppose we can take that as evidence? We could cut out the sections." Jonas snorted, "You can try taking a saw to that house, but personally, I'm not about to get anywhere near it with anything resembling a weapon.
Arthur Miller said one of my favorite lines ever, that he had the mother say to her two sons about a very unstable father in Death of a Salesman. She said, "Attention must be paid." It's one of the most resonant lines that I think he ever wrote, and I think attention must be paid to the truth.
It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.
John Kerry presented his confidence and his convictions. It's not about confidence, it's about evidence. The Russians have completely opposite evidence that the missiles were thrown from an area where the rebels control. This reminds me - what Kerry said - about the big lie that Collin Powell said in front of the world on satellites about the WMD in Iraq before going to war. He said "this is our evidence."
Before acting, I was always attracted to words, to literature - be they the words of Williams, Arthur Miller, Shakespeare or Moliere.
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