A Quote by Jay McInerney

I've been interested in writing and storytelling since I learned to read, but it wasn't until I read Dylan Thomas, when I was 14, that I became interested in language itself, and saw it as more than a transparent medium for a story.
For me, before I learned how to read I was really interested in story and in landscape and nature. I decided to become a writer almost as soon as I learned to read.
First I think I was interested in the stories, and later on, I became more interested in the language itself, so the stories became almost secondary, but it was kind of a background music for my life.
I never read reviews - I never have. I've never read message boards, either. I'm just not interested in it in any way - I'm not interested in it inflating my ego, and I'm not interested in it improving my self-worth. So, I don't read them.
I usually have Kafka biography in my bathroom. It's a book I can open at random and feel interested in immediately. It's really funny. With this book, since I'm opening it at random and immediately interested, I don't feel the need to read more than I want to read, in that there's not, like, a plot that leads me along. So I can stop whenever.
It's hard to tell if anyone's interested in reading a serialized story. But it's interesting to put in a cliffhanger each week. That was popular in old comic strips. They'd write a weekend story different from the daily strip. So people follow one story day to day, and a separate story on weekends. If you read them, you think "I'll read two more." Then you're like "I gotta find out!" And you read 500 more.
With virtual reality, I'm not interested in the novelty factor. I'm interested in the foundations for a medium that could be more powerful than cinema, than theatre, than literature, than any other medium we've had before to connect one human being to another.
'Beloved' by Toni Morrison. I think I read it first in college and have read it every few years since. The language itself is remarkable. I don't know that I've read a book that explains America so well.
I love to read nonfiction and memoir, but I'm mostly interested in the piece of writing more than the person.
I know well enough that very few people who are supposedly interested in writing are interested in writing well. They are interested in publishing something, and if possible in making a "killing." They are interested in being a writer not in writing. . . If this is what you are interested in, I am not going to be much use to you.
I can give advice to anyone interested in writing in one word: Read! I think it's much more important to be a reader than to be a writer!
Although I was able to study music with teachers, I never studied lyric writing. I read poetry, and I read other lyricists. But they were never writing in the style or the form that I was interested in.
I once read Updike after writing a first draft, and I wanted to put my own book on the fire. I've since learned to read utter crap while I'm writing: pulp is the thing.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
I wasn't interested in sport or anything obvious, so I didn't stand out. I was interested in music, but I couldn't read music, so I wasn't allowed to do the GCSE. I was interested in painting, but no one's interested in a 16-year-old boy who's interested in painting. I wanted to get out of school very, very quickly.
I had a teacher once who said, "If you are going to write fiction, you should only read poetry." I have always been interested in the writers who care about their sentences and who really work on that level. I have always said that I hate writing, I love revision. So, the language is really important to me. And the comedy and the horror that come out of the language.
I don't think we need a critic to negotiate with the audience. People say, "Who are you writing for?" I'm writing for myself but my audience is anybody who knows how to read. I think a story should engage anybody who knows how to read. And I hope that my stories do, maybe on a different level for more sophisticated readers than, say, a high school kid, but still a story has got to grab you. That's why we read it.
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