A Quote by Jay McShann
They had the music being piped right out on the street. I'd be three or four blocks from there and I couldn't get there fast enough because I'd hear old Joe holler them words.
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With rap music, because it's all so on the street, you get treated like a street cat: "All right, you've been eatin' enough, you're fat, get out of the way now and let somebody else come by."
Walking was not fast enough, so we ran. Running was not fast enough, so we galloped. Galloping was not fast enough, so we sailed. Sailing was not fast enough, so we rolled merrily along on long metal tracks. Long metal tracks were not fast enough, so we drove. Driving was not fast enough, so we flew. Flying isn't fast enough for us. We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind.
I had the good fortune to be able to right an injustice that I thought was being heaped on young people by lowering the voting age, where you had young people that were old enough to die in Vietnam but not old enough to vote for their members of Congress that sent them there.
When you look in one direction where Troy's chair was, you could see out through the yard across the street, there was an old cork bar advertisement for five cents. We wanted it to feel like this was real life [in Fences] and that it extended blocks and blocks.
My first experience in a movie theater was Dick Tracy. There was a scene with a guy with a Tommy gun and a wall of fire behind him. I panicked, screamed, and jumped out of my seat. And I ran six New York city blocks, running into the street and almost got hit by a bunch of cars and had my mom chasing after a panic-stricken four-year-old.
Eventually, to get through school, I would make good meaningless blobs if I had to. And so they thought I was falling in with them and stuff like that. But on the playground, kids would come up to me and say, "I need three Supermans and a Captain Midnight by four o'clock because I'm going to sell them to somebody else." So I'd take all their lunch money and whip these things out, and they'd have to stick them in their underwear to get the pictures home, because if the teacher ever found out about that.
All on the street, you get treated like a street cat: "All right, you've been eatin' enough, you're fat, get out of the way now and let somebody else come by."
Birth of the Cool' became a collector's item, I think, out of a reaction to Bird and Dizzy's music. Bird and Diz played this hip, real fast thing, and if you weren't a fast listener, you couldn't catch the humor or the feeling in their music. Their musical sound wasn't sweet, and it didn't have harmonic lines that you could easily hum out on the street with your girlfriend trying to get over with a kiss.
I played street football from the age of seven and later went into the varzea. Sometimes I'd play as many as three or four matches a day: I couldn't get enough of it. It'd get to the point when my muscles would cramp up.
He's made a business out of being Joe DiMaggio. To remain Joe DiMaggio, you better not have too much known. He's right. The closer you get, the more explosively bad stuff you find.
I was a welder for about three or four months, and I was lucky enough to get out of it because there was a guy who wanted to support me and pay for my racing.
I have the right ideas, but my words are too... complicated. I need to simplify them, so that people won't get lost in the dark when they see and hear them. I want them to shine like beacons of light in a world of overly complicated darkness. One day I will find the right words, and they will be simple.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
Mama, I know you used to ride the bus. Riding the bus, and it’s hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it’s still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I’ve had enough, it’s my stop. I’ve had enough.
In my dream I hadn't arrived at this street yet; this was just downloaded to me as this woman mentioned only the street name. It reminded me of hearing the words "Disneyland" and how we are instantly filled with joy and recognize it as a happy place full of fun. The words "Media Spring Street" created a movement of its own. When people just simply heard "Media Spring Street" it was like catching a wave of God and you wanted to get there as fast as you could!
There is a lot of fun to be had when you try and fit as many words as you can within a three-minute song, but there is also a lot of fun in trying to get that message across in three words, or better yet when the music can overpower the words and convey something really pure and perfect that affects our psycho-emotional space.
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