A Quote by Jay Mohr

The jokes were perfect! Then George Carlin started talking about the seven dirty words you can't say on television, then it evolved into social commentary. — © Jay Mohr
The jokes were perfect! Then George Carlin started talking about the seven dirty words you can't say on television, then it evolved into social commentary.
George Carlin is kind of my template now because George Carlin before was straight laced regular comic and he had short hair, a tie, suit, nightclub guy. Then he said screw it, let his hair grow, just started telling what he thought was the truth. So that's what I'm trying to do.
I like George Carlin's jokes. I like his humor. He's one of my heroes, and I like what he did with talking about everyday things.
My wife and I have long discussions about [George] Carlin, and we refuse to accept that he died an atheist. It's just, confounding. When I talked to Kelly [George Carlin's daughter] about it, she said that George Carlin once took her at about 12 years old and said, "I've figured it out." And he says it in one of his specials sort of - he goes, "We're all energy and we're all connected. That goldfish you have, you, me, that boot laying in the street, we're all pieces of light to a giant electron.
There are some people that aren't into all the words. There are some people who would have you not use certain words. Yeah, there are 400,000 words in the English language, and there are seven of them that you can't say on television. What a ratio that is. 399,993 to seven. They must really be bad. They'd have to be outrageous, to be separated from a group that large. All of you over here, you seven. Bad words. That's what they told us they were, remember? 'That's a bad word.' You know bad words. Bad thoughts. Bad intentions.
I had some jokes that were dirty. And some of it is when I started making appearances on Conan and Letterman back in the late '90s, I think. You had to remove the curse words, or you couldn't do some of the more explicit jokes.
I had one really memorable line. It was all the words you're not allowed to say on the airwaves, so it's one long list of swear words. I knew it anyway, because I was a huge George Carlin fan.
I realized, in removing or rewriting these jokes, that often the jokes weren't done or that I was using, for me, the curse words as kind of a crutch. So then I just started writing.
I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.
I was born. When I was 23 I started telling jokes. Then I started going on television and doing films. That's still what I am doing. The end.
[George Carlin] was obsessive about time; he was obsessive compulsive about his material and making things shorter and more perfect. He did an HBO hour every other year. It's live; you have to be off-stage at 55 minutes. It's a network; you've got to be off. And it's perfect.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
After I did the drawings of trees combining them with words, I started doing - I did that for a very short time. Then it kind of - that sort of evolved into just showing the branches of a tree coming down into the trunk and then going into the root system. So I showed both the branches and the roots of a tree, which were about equal. There is as much going on under the ground as is going on above the ground, which you can see.
George Carlin is brilliant with words, and Johnny Winters is very creative. It's taking something common and drawing out the humor, being clever with words.
I hang out with my dad mostly, my dad was in the military. He's at that age now where his war stories and other stories have blended together, so now you don't know what he's talking about. One time, we were surrounded, then we ran out of ammo, then we were fighting hand-to-hand, then we started dancing, and that's how I met your mother.
I don't like my wrestling or entertainment in general to be too clean or predictable for me as a fan. When I say clean, I'm not talking about dirty jokes, middle fingers and stuff like that. I'm actually not even a big fan of that. A lot of people talk about the attitude era being so great but a lot of it was terrible crap, sex jokes and over-the-top terrible bad comedy. It was Jerry Springer-like. They made a joke about a woman's breasts. Hilarious, but where's the wrestling? I look back on a lot of stuff now, and I'm like where's the wrestling? It's just a lot of crappy jokes.
Nixon started auditing late-night show hosts because they were making jokes about him. Then, every single one of their staff got tax audits.
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