A Quote by Jay Mohr

You remember from watching the show, there are no "jokes." That's why if you see people on Twitter accusing me of being a "joke thief," I just tell them to come to one of my shows.
Twitter is a good medium to lean how to write jokes. It pushes you to write a better joke in that, on Twitter, the first joke about something has already happened. You need to think of the second joke and the third joke.
Sometimes I'm happy - you can tell via Twitter. Sometimes I'm pissed off - you can tell via Twitter. I just think, at the end of the day, I don't want them to see me as a celebrity; I just want them to see me and say, 'He's like a regular person at his job right now who's mad.'
Twitter is just a great joke laboratory. You go in there and there are so many witty people that I know any joke I make is going to have a response with at least 10 great jokes coming back.
There are so many people that have come up to me during our shows and tell me: 'The hour that we are watching your show is the hour that my kids are happiest and are smiling, they are laughing,' and that is what I long to do.
I did so many open mics. I would write jokes on Twitter constantly, and then slowly, over time, open mics turned into shows. If you can get a joke to work at an open mic, it's a good joke.
I tended toward animated material that wasn't just for kids. I could tell as a kid watching those shows that I loved the jokes that I got but I also loved the jokes I didn't get because I felt that I was hanging out with a smarter, cooler audience.
I'm not good with jokes, no. I don't know a joke at all. I like being told jokes, but I can't tell one myself.
Jokes for jokes' sake are kind of meaningless to me. I understand the value of them, but it doesn't speak to me as much. You can lace your argument with jokes, but tell me why you're presenting this argument. What does it mean?
I'm not a big one for jokes. I can't tell a joke, believe it or not. If you gave me a thousand bucks and said, "Don, get up at a party and tell a joke," I'm the worst.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
It can be embarrassing being associated with a character like Finchy - people naturally assume you're just like him. Some people come up and tell me the most appalling sexist or racist joke they know because they see me as him.
I remember watching 'Colombo' a lot with my dad. That was one of the first detective shows I remember watching. And I remember my dad turning to me - my dad loves to turn to me and explain why things are funny. He used to do that with 'Seinfeld' all the time. He did it with 'Colombo', too, set the scene.
He [Reagan] likes to tell jokes and that's why he told the ethnic joke that got him into some trouble. Perhaps if reporters didn't overreact to a politician's telling the very same joke they routinely hear and tell in the city room, we'd get more humor.
I'm a joke comic. I tell jokes. I like writing a joke, and I like when a joke works, and I like other comics who tell jokes.
I don't know how to tell a joke. I never tell jokes. I can tell stories that happened to me... anecdotes. But never a joke.
I don't think that hard about why people come out to my shows or trying to influence them or anything. I'm just happy that they show up.
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