A Quote by Jay Parini
When you think about 'The Grapes of Wrath,' it's an American masterpiece, and a very long process goes into the making of such a book.
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The American government has been harvesting the Middle Eastern grapes of wrath for a generation and not making a secret of it, either. As lousy as the mass media may be, there was enough news about what was transpiring, year after year, to get the gist of what was happening... No American can truthfully say that they could not find out what was going on.
When you look at 'Grapes of Wrath,' the weakest moments are those in which Steinbeck is spouting a political idea directly at the reader. The book's real power comes from its slower, broader movement.
You could think of extraordinary examples to the contrary: The Grapes of Wrath... and even into the 70s.
You have to be gifted to begin with, of course, but what follows is a process that takes a very long time. You train, you listen, you travel, you follow artistes... all of it goes into making you who you are as a performing artiste.
In my case, I made the decision early on that I was going to be very open about the book and claim upfront that each of the stories was based on my life experience. I think my reasoning goes back to what I was saying earlier, about wanting the book to be "more than a book," that I wanted the reader to feel a little unsettled about what they were reading: there's a core of factual truth here.
When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things [...] The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process.
The creation is a very internal process, and publishing the book is a very external process. It is nice to see the book out in the world and people having the same reaction as when I created it. The point of all art is the emotional transference, and when that happens, the book has succeeded.
A hangover is the wrath of grapes.
I remember reading 'The Grapes of Wrath' in high school in 1983. My family had immigrated to the U.S. three years before, and I had spent the better part of the first two years learning English. John Steinbeck's book was the first book I read in English where I had an 'Aha!' moment, namely in the famed turtle chapter.
I have tried to defend what is most precious to our American society, a society that is now at war against the forces of racial intolerance.A big part of me making the decision was how important the play is for the times that we live in. This is a classic. It's a masterpiece of American playwriting. It's about discrimination and it's about we Mexicans being a target for so many years.
John Steinbeck's 'The Grapes of Wrath' also speaks urgently to today's concerns: the cratered trail of dreams for Mexican immigrants seeking a promised land in the Western [United States]; the perfidy of banks in foreclosing on poor people's homes; and the insurgent urge of the book's protagonist, Tom Joad, to speak truth to police power. 'Wherever there's a cop beatin' up a guy,' Tom promises, 'I'll be there.' In Salinas, Calif., Ferguson, Mo., or Staten Island, N.Y., Tom's truth goes marching on.
I look like the wrath of grapes.
'The Road' reminds me of Steinbeck's 'The Grapes of Wrath.'
The best medicine against the grapes of wrath is a whiff of grapeshot
If you stop and think about our history, one of the reasons we had an American century and there is an American dream was because at key points in our history we made very bold decisions about making sure that there was very broad, universal access to quality education.
I think making electronic music isn't much different from writing a book or painting a picture or making a film. It's a creative process, and it's an art form.
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